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Rasa Renaissance is a movement in the art of painting that makes evocation of rasas (emotional moods) the prime aim in the creation and appreciation of a work of art. Rasa is the quality of emotional fulfilment that a work of art produces through the personalities, their expression and the situation presented in a painting.
In the Indian performing arts, a rasa is a sentiment or emotion evoked in each member of the audience by the art. The Natya Shastra mentions six rasa in one section, but in the dedicated section on rasa it states and discusses eight primary rasa. [24] [13] Each rasa, according to Nātyasāstra, has a presiding deity and a specific colour. There ...
Rasa is an essential aspect in any good art and the realization of the Rasa is a result of the integration of Stimulus (Vibhava), involuntary reaction (Anubhava), and transitory psychological states or voluntary reactions (Vyabhicaribhava).
In the Indian performing arts, a rasa is a sentiment or emotion evoked in each member of the audience by the art. The Natya Shastra mentions six rasa in one section, but in the dedicated section on rasa it states and discusses eight primary rasa. [2] [3] Each rasa, according to Nātyasāstra, has a presiding deity and a specific colour. There ...
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years.
Chapters 6 and 7 present the "Rasa" theory on aesthetics in performance arts, while chapters 8 to 13 are dedicated to the art of acting. [ 43 ] [ 44 ] Stage instruments such as methods for holding accessories, weapons, relative movement of actors and actresses, scene formulation, stage zones, conventions and customs are included in chapters 10 ...
Proponents of śāntarasa counterargue that śṛṅgāra rasa is not denied the stature of a rasa merely because it does not portray actual sexual intercourse (samproyoga) on the stage, just as is the case for raudra (रौद्र, transl. the rasa of fury or anger, derived via the morphological process of वृद्धि (vṛddhi) from ...
Hāsya often arises out of Sringara as mentioned in Natya Shastra, the classical treatise on the performing arts of Bharata Muni, theatrologist and musicologist. [6] Rasa means "flavour", and the theory of rasa is the primary concept behind classical Indian arts , including theatre , [ 7 ] music , dance , poetry , and even sculpture .