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Art historian Britta Benke argues that due to "its meditative contemplation of individual objects", Summer Days is closer to a still life composition than to a landscape painting. [11] Author Marjorie P. Balge-Crozier suggests that there is an art historical precedent to O'Keefe's combination of still life and landscape imagery seen in Summer Days.
Both paintings show the fishooks floating above the water with a boundless horizon in the distance. O'Keeffe used this floating motif several years earlier in From the Faraway, Nearby (1937), which shows a deer skull and antlers hovering over a desert, a work that O'Keeffe believed captured the heart of the Southwest. [66]
This is an accepted version of this page This is the latest accepted revision, reviewed on 24 February 2025. American modernist artist (1887–1986) For the 2009 film, see Georgia O'Keeffe (film). Georgia O'Keeffe O'Keeffe in 1932, photograph by Alfred Stieglitz Born Georgia Totto O'Keeffe (1887-11-15) November 15, 1887 Sun Prairie, Wisconsin, U.S. Died March 6, 1986 (1986-03-06) (aged 98 ...
Inspired by the principles of Arthur Wesley Dow and the Texas landscape, O'Keeffe made paintings using vibrant red, blue and yellow colors. [5] About 1916, she used brilliant red and yellow colors in Special #21: Palo Duro Canyon, which belongs to the New Mexico Museum of Art. It was stolen in December 2003 and has not been recovered. [5]
Pages in category "Paintings by Georgia O'Keeffe" The following 22 pages are in this category, out of 22 total. This list may not reflect recent changes. B.
An older, but similar work by O'Keeffe, Jimson Weed/White Flower No. 1 (1932), focusing on only a single flower, was sold by the Georgia O'Keeffe Museum at auction to Walmart heiress Alice Walton in 2014 for $44,405,000, more than tripling the previous world record auction for a piece by a female artist. [5]
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