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Thumak Chalat Ram Chandra is a bhajan (Hindu devotional song) written in the 16th century by the poet Goswami Tulsidas. The bhajan glorifies Shri Rama and his characteristics during the childhood. [1] Shri Tulsidasji describes Lord Rama's eyes, ears, and ornaments.
Hari Tuma Haro is an Indian bhajan or devotional song by Mirabai, the 15th-century poet saint. It was Mahatma Gandhi 's favorite song, who requested M S Subbulakshmi 's rendition for what was to be his last birthday celebrations.
Anup Jalota, (born 29 July 1953) is an Indian singer, musician and actor, best known for his contributions to the bhajan and ghazal genre of Indian music. He is popularly known as the Bhajan Samraat (transl. "Emperor of Bhajan"). [2] The Padma Shri was awarded to him by the Government of India in 2012.
A modern Bhajan has no fixed form: it may be as simple as a mantra or kirtan or as sophisticated as the dhrupad, thumri or kriti with music based on classical ragas and talas. [42] V. D. Paluskar and V. N. Bhatkhande have combined Indian classical music with bhajan. Pandit Kumar Gandharva made famous the Nirguni Bhajans of Sant Kabir and Malwa ...
In September 2022, PDP chief Mehbooba Mufti claimed that BJP was pushing its Hindutva agenda by forcing Muslim children in Kashmir to sing bhajans in schools, after the Government of India had issued a directive for students to recite an "all faith prayer -- Raghupati Raghav Raja Ram.. Ishwar Allah tero naam."
The focus of kirtan is on the lyrics or mantras, which deliver religious messages and stories. Guy Beck, writing on the northern kirtan tradition, states that "melody and rhythm are important, but devotional singers normally deplore musical virtuosity for its own sake, in contrast with the classical Hindustani and Karnatak traditions, which ...
Om Jai Jagdish Hare (Hindi: ॐ जय जगदीश हरे) is a Hindu religious song written by Shardha Ram Phillauri. [1] It is a Hindi-language composition dedicated to the deity Vishnu, popularly sung during the ritual of arti.
Feminist and Non-Western Perspectives in the Music Theory Classroom: A Study of John Harbison's "Mirabai Songs, Amy Carr-Richardson (2002), College Music Symposium, Vol. 42, pages 20–36 "By the Sweetness of the Tongue": Duty, Destiny, and Devotion in the Oral Life Narratives of Female Sādhus in Rajasthan , Antoinette E. DeNapoli (2009 ...
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