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For a note in 4/4 time, "whole" means an entire (or 'whole') measure of beats: 4 beats. In 3/4 time, though, a whole note would be written as a dotted half note tied to a quarter note. For a rest, "whole" always means an entire measure. That symbol hanging from the second line means "Do not play at all during this measure."
There may be any number of beats in a measure but the most common by far are multiples of 2 or 3 (i.e., a top number of 2, 3, 4, or 6). Likewise, any note length can be used to represent a beat, but a quarter note (indicated by a bottom number of 4) or eighth note (bottom number of 8) are by far the most common.
Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
The whole note or semibreve has a note head in the shape of a hollow oval—like a half note (or minim)—but with no note stem (see Figure 1). Since it is equal to four quarter notes, it occupies the entire length of a measure in 4 4 time. Other notes are multiples or fractions of the whole note. For example, a double whole note (or breve ...
The most common tuplet [9] is the triplet (German Triole, French triolet, Italian terzina or tripletta, Spanish tresillo).Whereas normally two quarter notes (crotchets) are the same duration as a half note (minim), three triplet quarter notes have that same duration, so the duration of a triplet quarter note is 2 ⁄ 3 the duration of a standard quarter note.
Whole note: usually 4 beats. Whole rest: usually a full bar. Not always the same as a whole note. Slightly better answers: Whole note: the number of beats it gets is equal to the number on the bottom of the time signature, except in compound time. In compound time, a DOTTED whole note gets beats equal to HALF of that bottom number.
The "t" consonant always falls on the main beat and beat division, and the "k" consonant is always when the beat divides again. Alternating "t" and "k" in quick succession is easy to say, as they fall on two different parts of the tongue, making it very easy to say these syllables at a fast tempo (much like tonguing on recorder or flute).
4 (three beats per bar, with each beat being a quarter note); 2 4 (two beats per bar, with each beat being a quarter note); 6 8 (six beats per bar, with each beat being an eighth note) and 12 8 (twelve beats per bar, with each beat being an eighth note; in practice, the eighth notes are typically put into four groups of three eighth notes. 12