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Trilling draws on a wide range of literature in defense of his thesis, citing many of the key (and some more obscure) Western writers and thinkers of the last 500 years. Trilling's Sincerity and Authenticity has been of influence on literary and cultural critics and philosophers, such as Templeton and Kyoto Prize winner Charles Taylor in his ...
Dialogue is usually analyzed as some kind of interaction between two monads on the basis of a pre-conceived model. Bakhtin regards this conception as a consequence of 'theoretism'—the tendency, particularly in modern western thought, to understand events according to a pre-existing set of rules to which they conform or structure that they exhibit. [3]
In narratology, focalisation is the perspective through which a narrative is presented, as opposed to an omniscient narrator. [1] Coined by French narrative theorist Gérard Genette, his definition distinguishes between internal focalisation (first-person) and external focalisation (third-person, fixed on the actions of and environments around a character), with zero focalisation representing ...
First-person narration is more difficult to achieve in film; however, voice-over narration can create the same structure. [ 15 ] An example of first-person narration in a film would be the narration given by the character Greg Heffley in the film adaptation of the popular book series Diary of a Wimpy Kid .
The meaning within the stories is not always explicit, and children are expected to make their own meaning of the stories. In the Lakota Tribe of North America, for example, young girls are often told the story of the White Buffalo Calf Woman , who is a spiritual figure that protects young girls from the whims of men.
According to Kierkegaard, personal authenticity depends upon a person finding an authentic faith and, in so doing, being true to themselves. [clarification needed] Moral compromises inherent to the ideologies of bourgeois society and Christianity challenge the personal integrity of a person who seeks to live an authentic life as determined by the self. [10]
The Dionysian ("the still small voice") is of conscious, subjective fact. It "does not call upon the poet to reason, only to see that "it were better not to be". The Socratic voice, whose "optimistic arguments are all objective", "utilizes a full assortment of rationales ranging from scientific faith in progress to Platonic ideas of immortality.
In it, Pound sets out an approach by which one may come to appreciate and understand literature (focusing primarily on poetry). Despite its title the text can be considered as a guide to writing poetry. The work begins with the "Parable of the sunfish", features a collection of English poetry that Pound called Exhibits and several notable ...