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"Telephone Line" is a song by English rock band Electric Light Orchestra (ELO). [4] It was released in May 1977 through Jet Records and United Artists Records as part of the album A New World Record. It was commercially successful, topping the charts of Canada and New Zealand and entering the top 10 in Australia, the United Kingdom, and the ...
This section needs expansion. You can help by adding to it. (July 2022) ELO performing live during their 1981 Time Tour. From left: Jeff Lynne, Louis Clark (obscured), Kelly Groucutt, Bev Bevan, and Richard Tandy The English rock band Electric Light Orchestra (ELO) recorded over 190 songs from 1971 to 2019. The band's music is characterised by their blending of Beatlesque pop, classical ...
The Electric Light Orchestra, December 1971 October 1971 – January 1972: Roy Wood – vocals, guitar, bass, cello, oboe; Jeff Lynne – vocals, guitar, bass; Bev Bevan – drums; Bill Hunt – French horn; Steve Woolam – violin; Richard Tandy – bass, piano; Andy Craig – cello — January–July 1972: Roy Wood – vocals, guitar, bass ...
"Fire on High" is the opening track of the album. It begins with a haunting synthesizer (provided by Richard Tandy) playing a repeating broken chord of E♭, A, C, A along with a backing choir. The backing orchestration is minimal, featuring small bits here and there during which a "knocking" sound suddenly appears and fades out before a baritone voice fades in speaking
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Eldorado is the first complete ELO concept album; bandleader Jeff Lynne conceived the storyline before he wrote any music. [2] The plot follows a Walter Mitty-like character who journeys into fantasy worlds via dreams, to escape the disillusionment of his mundane reality.
Definitive Collection is a compilation album recorded by the Electric Light Orchestra (ELO) and produced by Jeff Lynne. It was released in 1995 with two discs. It was released in 1995 with two discs. Some of the songs include their album versions like " Strange Magic " and " Shine a Little Love ", and some tracks include edits seen below.
"Livin' Thing" has that. There’s a few of mine that have those type of chords in it. I tried to make the songs a little different. "Livin' Thing" would have had a much more normal run-of-the-mill chord sequence otherwise; the chorus would have been C, A minor, F and G instead of C, A minor, D minor, G augmented and back to the C.