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Two widely used approaches are Drama in Education and TIE. [5] Drama in Education: In the school curriculum, this is both a method and a subject. As a curriculum subject, it uses various dramatic elements and acting out. In many high schools, drama is now a separate department. In some primary schools, it is used to teach a number of subjects.
In 1949, a national readers theater tour by the First Drama Quartet—Charles Laughton, Agnes Moorehead, Charles Boyer, and Cedric Hardwicke [3] —appeared in 35 states, putting on 500 performances. Their presentation of Don Juan in Hell was seen by more than a half-million people.
Process drama in school settings usually involves the whole class working with the teacher in role in a made-up scenario. When they are working in process drama, the students and teachers work together to create an imaginary dramatic world within which issues are considered and problems can be solved.
The term "play" can encompass either a general concept or specifically denote a non-musical play. In contrast to a "musical", which incorporates music, dance, and songs sung by characters, the term "straight play" can be used. For a brief play, the term "playlet" is occasionally employed. The term "script" pertains to the written text of a play.
Classical acting is a traditional type of acting which is centered around the external behavior of the performer. Classical acting differs from newer styles of acting, as it is developed around the ideas of the actor themselves which includes their expression of the body, voice, imagination, personalizing, improvisation, external stimuli, and script analysis.
The students perform to an audience an account of their time in secondary school (given the name 'Whitewall High School' for their performance), specifically their time with Mr. Jeff Nixon, the new drama teacher who ignites their passion for the stage with his idealism and belief that all children should be treated equally.
Additionally, a fifteenth-century play of the life of Mary Magdalene, The Brome Abraham and Isaac and a sixteenth-century play of the Conversion of Saint Paul exist, all hailing from East Anglia. Besides the Middle English drama, there are three surviving plays in Cornish known as the Ordinalia. These biblical plays differ widely in content.
William Jones published the first English translation of any Sanskrit play in 1789. About 3 decades later, Horace Hayman Wilson published the first major English survey of Sanskrit drama, including 6 full translations (Mṛcchakatika, Vikramōrvaśīyam, Uttararamacarita, Malatimadhava, Mudrarakshasa, and Ratnavali).