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Bourgeois existence was a world of interior space, heavily curtained off and wary of intrusion, and opened only by invitation for viewing on occasions such as parties or teas. " The essential, unknowability of each individual, and society's collaboration in the maintenance of a façade behind which lurked innumerable mysteries, were the themes ...
The Marxist intellectual Walter Benjamin connected Victorian morality to the rise of the bourgeoisie. Benjamin alleged that the shopping culture of the petite bourgeoisie established the sitting room as the centre of personal and family life; as such, the English bourgeois culture is a sitting-room culture of prestige through conspicuous ...
The prototypical bourgeois, Monsieur Jourdain, the protagonist in Molière's play Le Bourgeois gentilhomme (1670) Bourgeois values are dependent on rationalism, which began with the economic sphere and moves into every sphere of life which is formulated by Max Weber. [36] The beginning of rationalism is commonly called the Age of Reason. Much ...
The Victorian Era was a time of the Industrial Revolution, with authors Charles Dickens and Charles Darwin, the railway and shipping booms, profound scientific discoveries, and the invention of ...
Hunger and poor diet was a common aspect of life across the UK in the Victorian period, especially in the 1840s, but the mass starvation seen in the Great Famine in Ireland was unique. [87] [85] Levels of poverty fell significantly during the 19th century from as much as two thirds of the population in 1800 to less than a third by 1901. However ...
Victorian architecture is a series of architectural revival styles in the mid-to-late 19th century. Victorian refers to the reign of Queen Victoria (1837–1901), called the Victorian era, during which period the styles known as Victorian were used in construction. However, many elements of what is typically termed "Victorian" architecture did ...
MacCarthy described Morris's lifestyle as being "late Victorian, mildly bohemian, but bourgeois", [230] with Mackail commenting that he exhibited many of the traits of the bourgeois Victorian class: "industrious, honest, fair-minded up their lights, but unexpansive and unsympathetic". [231]
The Staffordshire spaniel was the quintessential Victorian bourgeois status-symbol ornament: no mantelpiece was complete without a pair of spaniels standing guard. Staffordshire dogs were also placed on the window sill. Staffordshire dogs are nowadays collectors’ items. [11]