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The Roman deities most widely known today are those the Romans identified with Greek counterparts, integrating Greek myths, iconography, and sometimes religious practices into Roman culture, including Latin literature, Roman art, and religious life as it was experienced throughout the Roman Empire. Many of the Romans' own gods remain obscure ...
Venus (/ ˈ v iː n ə s /; Classical Latin: [ˈu̯ɛnʊs̠] Ecclesiastical Latin: [ˈvɛ(ː)nus]) is a Roman goddess whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy.
The mythology or religion of most cultures incorporate a god of death or, more frequently, a divine being closely associated with death, an afterlife, or an underworld. They are often amongst the most powerful and important entities in a given tradition, reflecting the fact that death, like birth , is central to the human experience.
In Roman mythology, Morta was the goddess of death. [1] She was believed to preside over infants who died. [2] Aulus Gellius understood her name to be the similar as Morea. Morta’s name most likely meant fate. [3]
Siebog, god of love and marriage. Živa, goddess of love and fertility. Lada, goddess of beauty and fertility. Jarilo, god of fertility and springtime, sometimes regarded as god of lust and passion. The Birth of Venus by Sandro Botticelli (1485), depicting Venus, the Roman goddess of sex and beauty
In ancient Roman myth and literature, Mors is the personification of death equivalent to the Greek Thanatos. [citation needed] The Latin noun for "death," mors, genitive mortis, is of feminine gender, but surviving ancient Roman art is not known to depict death as a woman. [1] Latin poets, however, are bound by the grammatical gender of the ...
Proserpina replaced or was combined with the ancient Roman fertility goddess Libera, whose principal cult was housed in the Aventine temple of the grain-goddess Ceres, along with the wine god Liber. Each of these three deities occupied their own cella at the temple. Their cults were served or supervised by a male public priesthood.
Denarius of L. Mussidius Longus (42 BC) showing Concordia on the obverse, and two statues within the balustrade of the shrine of Venus Cloacina on the reverse [1]. Cloacina was a goddess who presided over the Cloaca Maxima ('Greatest Drain'), the main interceptor discharge outfall of the system of sewers in Rome.