Search results
Results from the WOW.Com Content Network
Uncloudy Day, also known as Unclouded Day, is a gospel song. Originally popular in church hymnals , it has come to be recorded many times over the years since, including being an early attention-getter for future star act the Staple Singers .
The album was released on August 29, 2006 via Show Dog-Universal Music (then Show Dog Nashville), a label Keith owned at the time. [1]Several of the tracks from this album were released as singles and made the Hot Country Songs charts: Scotty Emerick's "What's Up with That" and Lindsey Haun's "Broken" both made No. 52 on the charts in 2006. [2]
Note: These songlists include the names of the artists who most famously recorded the song. The songs as they appear in the game are covers, with the exceptions being the song "Dance Like There's No Tomorrow", which is the master recording of the Paula Abdul song, and 10 original Mowtown songs in the Xbox version of Karaoke Revolution
Nick Massi (The Hollywood Playboys, among others [2] [3]) replaced Calello from late 1960 to September 1965.; Several studio albums and over 100 singles.Originally assembled from various New Jersey club groups, over the years, other notable names, including Don Ciccone (The Critters), John Paiva (The Happenings), Jerry Corbetta and session keyboardist Robby Robinson came and went as performers ...
This 1970s pop album–related article is a stub. You can help Wikipedia by expanding it.
The Reds will also honor Rose next season on May 14 (again paying tribute to Rose's jersey number) with a special "Pete Rose Day." First pitch for the game versus the Chicago White Sox will be at ...
Willie and Family Live is a live album by country music artist Willie Nelson.It was released in 1978 as a double-LP.It was recorded live at Harrah's in Lake Tahoe, Nevada in April 1978.
The Big Red Songbook is a collection of Wobbly songs [1] compiled by folklorist Archie Green. [2] The 2016 edition was co-edited by Green, labor historian David Roediger, Franklin Rosemount, and Salvatore Solerno. It features an introduction by Tom Morello, and an afterword by Utah Phillips. [3]