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Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The poem "Maxims I" can be found in the Exeter Book and "Maxims II" is located in a lesser known manuscript, London, British Library, Cotton Tiberius B i. "Maxims I" and "Maxims II" are classified as wisdom poetry, being both influenced by wisdom literature, such as the Havamal of ancient Germanic literature. Although they are separate poems of ...
The Pre-Raphaelite Brotherhood was a primarily English art and poetic school, founded in 1848, based ostensibly on undoing innovations by the painter Raphael. Some members were both painters and poets. [32] Most significant figures include Dante Gabriel Rossetti and Christina Rossetti. The Fleshly School was realistic, sensual school of poets.
Mantra: a religious, mystical, or other spiritual saying that is repeated, for example, in meditation. Maxim: (1) an instructional expression of a general principle or rule of morality or (2) simply a synonym for "aphorism"; they include: Brocard; Gnome; Legal maxim; Motto: a saying used frequently by a person or group to summarize its general ...
Gnomes, in their literary sense, belong to the dawn of literature, in their naiveté and their simplicity and moralizing. Many of the ethical reflections of the great dramatists, and in particular of Sophocles and Euripides, are gnomic distiches expanded. The ancient Greek gnomes are not all solemn; some are voluptuous and some chivalrous.
Critics have aptly borrowed those terms to characterize the difference between Mr. Beckett, for example, and his erstwhile master James Joyce, himself a maximalist except in his early works. [3] Takayoshi Ishiwari elaborates on Barth's definition by including a postmodern approach to the notion of authenticity. Thus:
In classical rhetoric, the Common Topics (koinoi topoi)were a short list of four traditional topics regarded as suitable to structure an argument. [citation needed] In Aristotle's Rhetoric, the common topics are discussed in Book II. [1] They are generally considered to be heuristic. [1]