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Burns writes that Rivendell, "the Last Homely House", [T 8] offers a welcoming home, repeating the pattern set in both The Hobbit and The Lord of the Rings of "easy-going but tidy bachelor indulgence" from Bilbo's Bag End hobbit-hole onwards; despite Arwen, there is hardly anything "of the feminine". [15]
And so at last they all came to the Last Homely House, and found its doors flung wide." [7] In The Lord of the Rings, Sam and Frodo experience a sizeable house, but again the outside, both the gardens and wild nature, is given prominence. The Hobbits walk "along several passages and down many steps and out into a high garden above the steep ...
Scholars have described the narrative structure of The Lord of the Rings, a high fantasy work by J. R. R. Tolkien published in 1954–55, in a variety of ways, including as a balanced pair of outer and inner quests; a linear sequence of scenes or tableaux; a fractal arrangement of separate episodes; a Gothic cathedral-like edifice of many different elements; multiple cycles or spirals; or an ...
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Navigable diagram of Tolkien's legendarium. The Peoples of Middle-earth, the last volume of analysis of the legendarium, contains materials written late in his life.. Each volume of The History of Middle-earth bears on the title page spread an inscription by Christopher Tolkien in Fëanorian letters (in Tengwar, an alphabet J. R. R. Tolkien devised for the High-Elves), that describes the ...
Agnieszka Żurek, writing in The Heraldry Society's journal, notes that Tolkien mentions heraldry in the form of emblems, banners, and shields in many places in his Middle-earth writings, spanning The Hobbit, The Lord of the Rings, and the posthumously published The Silmarillion, Unfinished Tales, and the 12 volumes of The History of Middle-earth.
Dwarves appear in his books The Hobbit (1937), The Lord of the Rings (1954–55), and the posthumously published The Silmarillion (1977), Unfinished Tales (1980), and The History of Middle-earth series (1983–96), the last three edited by his son Christopher Tolkien.
The Tolkien scholar Tom Shippey comments that "the themes of the Escape from Death, and the Escape from Deathlessness, are vital parts of Tolkien's entire mythology." [8] In a 1968 BBC television broadcast, Tolkien quoted French philosopher Simone de Beauvoir and described the inevitability of death as the "key-spring of The Lord of the Rings ...