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A baptismal record also survives showing she was baptized September 5, 1874. A sponsor for the baptism is listed as "Ada B. Barry". Edith's death was announced in the Saturday, October 14 edition of the San Francisco Chronicle, stating "In this city, October 13, Edith Howard, daughter of Horatio N. and Edith Cook, aged 2 years and 10 months ...
This page displays all the images which appear in the "selected historical image" section of the San Francisco Bay Area portal. Instructions on how to add new images to this list are here . 1
Daniel Lawrence Lurie was born and raised in a Jewish [4] family in San Francisco, the son of Mimi (née Ruchwarger) and Rabbi Brian Lurie. [5] [6] His parents divorced when he was two [6] and his mother remarried to Peter E. Haas [5] and his father remarried Caroline Fromm Lurie.
San Francisco Chronicle; San Francisco Evening Bulletin; San Francisco Examiner; San Francisco Herald; San Francisco Independent; San Francisco Progress (1918–1988) [7] [8] SF Weekly; Shinsekai asahi shinbun (New World Sun, 1932–1941) [1] Shin sekai (New World, 1912–1932) [1] Sinhan Minbo; South San Francisco enterprise (1907–1938) [1 ...
Arthur Watterson Hoppe (April 23, 1925 – February 1, 2000) was a popular columnist for the San Francisco Chronicle for more than 40 years. He was known for satirical and allegorical columns that skewered the self-important.
In the 1960s Haren received a studio contract from MGM and starred in Vincente Minnelli's Bells Are Ringing, Otto Preminger's In Harm's Way (a Paramount Pictures film), and Billy Rose's Jumbo. He starred on Broadway in the Bertolt Brecht play The Resistible Rise of Arturo Ui , produced by Tony Richardson .
In 1934, Newhall joined the San Francisco Chronicle as a photographer. By 1952—when the Chronicle ' s circulation was 155,000, languishing behind those of the San Francisco Examiner and the San Francisco Call-Bulletin—he was promoted from Sunday editor to executive editor, with the goal of increasing circulation, a goal he achieved by enhancing serious news coverage leavened with zany ...
Kenneth Baker, art critic for the San Francisco Chronicle, wrote in 1997 that Gutmann was "an emissary of European modernism" who "brought a distinct angle of vision to the American scene" and his images demonstrated his "excitement of his witness to the [Depression-era] times". [11]