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Saura painting is a style of wall mural paintings associated with the Saura tribals of the state of Odisha in India. These paintings, also called ikons (or ekons ) are visually similar to Warli paintings and hold religious significance for the Sauras.
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The history of modern painting by Richard Muther (London : J. M. Dent, 1907). Illustrated: Volume 1 Volume 2 Volume 3 Volume 4. A history of water-colour painting in England by G. R. Redgrave (London: Society for Promoting Christian Knowledge, 1905). Illustrated. Six centuries of painting by Randall Davies (New York : Dodge Pub. Co., 1914).
Issues for Sept. 1890-Mar. 1891 are the English edition of the Review of reviews, republished in New York, and assume their vol. numbering Title varies: 1890-June 1897, The Review of reviews; July 1897-May 1907, The American monthly review of reviews; June 1907-Dec. 1928, The American review of reviews Absorbed the World's work in Aug. 1932.
The name of an individual work within the series name: the Star Wars franchise, named for the Star Wars film; the Three Colours trilogy, named for films with the prefix Three Colours. Do not capitalize or italicize descriptive terms that are not part of an official series title (as with "franchise" and "trilogy" in those two examples).
If the image to be captioned is a painting, an editor can give context with the painter's wikilinked name, the title, and a date. The present location may be added in parentheses: . Sometimes the date of the image is important: there is a difference between "King Arthur" and "King Arthur in a 19th-century watercolor".
The Sora (alternative names and spellings include Saora, Saura, Savara and Sabara) are a Munda ethnic group from eastern India. They live in southern Odisha and north coastal Andhra Pradesh . The Soras mainly live in Gajapati , Rayagada and Bargarh districts of Odisha. [ 2 ]
Art criticism includes a descriptive aspect, [3] where the work of art is sufficiently translated into words so as to allow a case to be made. [2] [3] [7] [11] The evaluation of a work of art that follows the description (or is interspersed with it) depends as much on the artist's output as on the experience of the critic.