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Users may adjust the bass and treble levels on the output sound, the number of echo repeats, the length of each echo, and the ratio of the echo and reverb sounds. [1] The Space Echo has two microphone inputs, one instrument input, and one input for a mixer or PA. [1] The character of the delay sound changes as the tape wears with use. [2]
Echoplex EP-2. The Echoplex is a tape delay effects unit, first made in 1959.Designed by engineer Mike Battle, [1] the Echoplex set a standard for the effect in the 1960s; according to Michael Dregni, it is still regarded as "the standard by which everything else is measured."
The console of the Wanamaker Organ in the Macy's (formerly Wanamaker's) department store in Philadelphia, featuring six manuals and colour-coded stop tabs. The pipe organ is played from an area called the console or keydesk, which holds the manuals (keyboards), pedals, and stop controls. In electric-action organs, the console is often movable.
Echo originally started as a request-response web application framework that leveraged the Swing object model to improve the speed of application development. [1] Through the use of the Swing model, Echo was able to employ concepts such as components and event-driven programming that removed much of the pain of web application development.
Indeed, the term pedal point, which refers to a prolonged bass tone under changing upper harmonies, derives from the use of the organ pedalboard to hold sustained bass notes. [2] These earliest pedals were wooden stubs nicknamed mushrooms, [3] [4] which were placed at the height of the feet. These pedals, which used simple pull-downs connected ...
The main difference with the new Cobra was the added adjustability of many of the components. The pedal was offered in a slightly less adjustable standard version and a full-featured professional version. The pedal was mostly the native silver color of the metal, with a few black painted details. In 1998, the second-generation Iron Cobra was ...
A new treadle and case design consisting of a rather large and industrial-looking chrome-plated housing and rubber-covered treadle was used universally throughout the entire Morley line, which included volume pedals, wah pedals, a rotating sound pedal (the original "Morley"), and a pedal version of their echo device dubbed the Morley EVO-1.
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...