Search results
Results from the WOW.Com Content Network
Logical consequence, also known as a consequence relation, or entailment Consequent , in logic, the second half of a hypothetical proposition or consequences Consequentialism , a theory in philosophy in which the morality of an act is determined by its effects
Ipso facto is a Latin phrase, directly translated as "by the fact itself", [1] which means that a specific phenomenon is a direct consequence, a resultant effect, of the action in question, instead of being brought about by a previous action.
In comparison with other 'political' forms of criticism, there has been relatively little dispute about the moral and philosophical aims of ecocriticism, although its scope has broadened from nature writing, romantic poetry, and canonical literature to take in film, television, theatre, animal stories, architectures, scientific narratives and an extraordinary range of literary texts.
The accounts discussed above all yield monotonic consequence relations, i.e. ones such that if is a consequence of , then is a consequence of any superset of . It is also possible to specify non-monotonic consequence relations to capture the idea that, e.g., 'Tweety can fly' is a logical consequence of
Although the consequence in first conditional sentences is usually expressed using the will (or shall) future (usually the simple future, though future progressive, future perfect and future perfect progressive are used as appropriate), other variations are also possible – it may take the form of an imperative, it may use another modal verb ...
Irony" entered the English language as a figure of speech in the 16th century with a meaning similar to the French ironie, itself derived from the Latin. [7] Around the end of the 18th century, "irony" takes on another sense, primarily credited to Friedrich Schlegel and other participants in what came to be known as early German Romanticism.
In rhetoric, a rhetorical device, persuasive device, or stylistic device is a technique that an author or speaker uses to convey to the listener or reader a meaning with the goal of persuading them towards considering a topic from a perspective, using language designed to encourage or provoke an emotional display of a given perspective or action.
Realism as a movement in literature was a post-1848 phenomenon, according to its first theorist Jules-Français Champfleury. It aims to reproduce " objective reality ", and focuses on showing every day, quotidian activities and life, primarily among the middle- or lower-class society, without romantic idealization or dramatization. [ 6 ]