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"Dholna" Shankar–Ehsaan–Loy: Sameer Sonu Nigam 326 "Dholna" (Love Is In The Air Remix) Dharm: 327 "Piya Bole"(Female) Debojyoti Mishra: Mrityunjay Kumar Singh: Partner: 328 "Dupatta Tera Nau Rang Da" Sajid–Wajid: Shabbir Ahmed Sonu Nigam, Kunal Ganjawala, Suzi Quatro: Aap Kaa Surroor: 329 "Tera Mera Milna" Himesh Reshammiya: Sameer Himesh ...
Shreya Ghoshal, who sung "Mere Dholna" in the 2007 prequel, reprised her vocals and is featured in three different versions of the song in the film. [ 32 ] Due to fan demand, a version of "Ami Je Tomar" featuring the vocals of Arijit Singh and Shreya Ghoshal was also released as a duet with the title "Ami Je Tomar Kartik X Vidya " on June 28 ...
Sargam refers to singing the notes, mostly commonly used in Indian music, instead of the words of a composition, with use of various ornamentations such as meend, gamak, kan and khatka, as part of a khyal performance. This is generally done in medium-tempo as a bridge between the alap and taan portions.
Hindi "Sri Krishna(Duet)" The Magic Of Krishna: Ashit Desai: Hindi 2012 "Kaatrilellam Inbam" Udumban: Balan: Tamil "Chanda Re" Sa re ga ma pa 2012: A. R. Rahman: Hindi "Kuch Mere Dil Ne Kaha (Bit)" Sa re ga ma pa 2012: Viju Shah: Hindi "Na Gul Khile Hain (Bit)" Sa re ga ma pa 2012: Hindi 2013 "Nee Partha Parvaikoru" Ilaiyaraja Toronto Concert ...
Balasubrahmanyam's first work in Hindi films was, in Ek Duuje Ke Liye (1981), [1] for which he received another National Film Award for Best Male Playback Singer. [2] In 1989, Balasubrahmanyam was the playback singer for actor Salman Khan in the blockbuster Maine Pyar Kiya. [3]
Sadhana Sargam "Kal College Bandh Ho Jaayega" (sad) solo Jigar "Tujhko Bahon Bhar Liya" Anand-Milind Sameer Sadhana Sargam "Mere Dil Ko Karar Aa Jaye" Jo Jeeta Wohi Sikandar "Yahan Ke Hum Sikandar" Jatin-Lalit Majrooh Sultanpuri Sadhana Sargam, Jatin-Lalit "Pehla Nasha" Sadhana Sargam "Shehar Ki Pariyon" "Are Yaaro Mere Pyaro" Vijayta Pandit ...
Sargam (from SA-RE-GA-MA), a technique for the teaching of sight-singing, is the Hindustani or North Indian equivalent to the western solfege. Sargam is practiced against a drone and the emphasis is not on the scale but on the intervals, thus it may be considered just intonation. The same notes are also used in South Indian Carnatic music.
Hindi: Bhairavi: Mehendi Lagi Mere Hath Re Mehndi Lagi Mere Haath Kalyanji–Anandji: Lata Mangeshkar: Hindi: Bhairavi: Mera Desh Ki Dharti, Sona Ugale Ugale Hire Moti Upkar: Kalyanji–Anandji: Mahendra Kapoor & Chorus Hindi: Bhairavi: Mujhko Is Raat Ki Tanhai Main Dil Bhi Tera Hum Bhi Tere: Kalyanji–Anandji: Mukesh (singer) Hindi: Bhairavi ...