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The Aarne–Thompson–Uther Index (ATU Index) is a catalogue of folktale types used in folklore studies.The ATU index is the product of a series of revisions and expansions by an international group of scholars: Originally published in German by Finnish folklorist Antti Aarne (1910), [1] the index was translated into English, revised, and expanded by American folklorist Stith Thompson (1928 ...
An assessment on a global scale of international tale indexes, by Daniel J. Crowley, let him conclude that the tale type appears "among the most popular and widespread tales on Earth". [6] The second plot involved, "The Lying Goat", is common throughout Europe, with dozens of variants recorded. [7] [8] Sometimes, it ends with the goat killing ...
The motif-index and the ATU indices are regarded as standard tools in the study of folklore. For example, folklorist Mary Beth Stein said that, "Together with Thompson's six-volume Motif-Index of Folk-Literature, with which it is cross-indexed, The Types of Folktale constitutes the most important reference work and research tool for comparative folk-tale analysis. [1]
It also contains folklore that dates back to the Pre-Columbian era. Folklore consists of legends, music, oral history, proverbs, jokes, popular beliefs, fairy tales, stories, tall tales, and customs that are the traditions of a culture, subculture, or group. It is also the set of practices through which those expressive genres are shared.
The Langs' Fairy Books are a series of 25 collections of true and fictional stories for children published between 1889 and 1913 by Andrew Lang and his wife, Leonora Blanche Alleyne. The best known books of the series are the 12 collections of fairy tales also known as Andrew Lang's "Coloured" Fairy Books or Andrew Lang's Fairy Books of Many ...
In "The Legend of Knockshigowna", in order to frighten a farmer who pastured his herd on fairy ground, a fairy queen took on the appearance of a great horse, with the wings of an eagle, and a tail like a dragon, hissing loud and spitting fire. Then she would change into a little man lame of a leg, with a bull's head, and a lambent flame playing ...
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Further speculation connects Old King Cole and thus Coel Hen to Colchester, but in fact Colchester was not named after Coel Hen. [8] Connecting with the musical theme of the nursery rhyme, according to a much later source, Coel Hen supposedly had a daughter who was skilled in music, according to Geoffrey of Monmouth, writing in the 12th century ...