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"Piano Man" is a song written and performed by American singer-songwriter Billy Joel. First released as a single in the US on November 2, 1973, it was included on Joel's 1973 album Piano Man . The song is sung from the point of view of a piano player at a bar, describing the patrons.
Gray said that one of the tracks would be called "The Old Chair", which, according to Gray, "features just a drum kit and me on my Steinway piano. It's very quiet." Foundling was released in the UK on 16 August. [21] and in the United States on 17 August. [22]
Compare "Piano Man" to a waltz, such as the Blue Danube by Strauss or the Waltz of the Flowers from Tchaikovsky's Nutcracker, and you'll see the feel is very similar. The piano is clearly played in 3/4 as the piano hits the bass of the current inversion every third beat followed by the two upper notes of the triad on two and three.
The I–V–vi–IV progression, also known as the four-chord progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV : C–G–Am–F
Scott Joplin's "The Entertainer" is written in C major. Many musicians have pointed out that every musical key conjures up specific feelings. [5] This idea is further explored in a radio program called The Signature Series. American popular songwriter Bob Dylan claimed the key of C major to "be the key of strength, but also the key of regret". [6]
In major keys, the chords iii and vi are often substituted for the I chord, to add interest. In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7" [11]) is E minor 7 ("E, G, B, D") and the vi minor 7 chord is A minor 7 ("A, C, E, G"). Both of the tonic substitute chords use notes from the tonic chord, which means ...
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Passacaglia and Fugue in C minor, BWV 582; Lute Suite in C minor, BWV 997; Cello Suite No. 5, BWV 1011; The Musical Offering, BWV 1079; Partita No. 2, BWV 826; Ludwig van Beethoven (See Beethoven and C minor) Piano Sonata No. 5; Piano Sonata No. 8 (Pathétique) Piano Concerto No. 3; Coriolan Overture; Symphony No. 5; Choral Fantasy; Piano ...
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