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Martin del Campo, Ismael. Cosechando en el Field. Norwalk: Editorial Nueva Vision, 2004. Note: Author is the Bishop of Los Angeles and wrote the History of the Apostolic Assembly in the book Iglesias Peregrinas en Busca de Identidad: Cuadros del Protestantismo Latino en los Estados Unidos this book is his expanded version.
The Iglesia Apostólica de la Fe en Cristo Jesús frequently abbreviated IAFCJ is a Mexican/Hispanic Oneness Pentecostal denomination. Its sister organization in the United States is the Apostolic Assembly of the Faith in Christ Jesus the oldest bilingual Oneness Pentecostal denomination in the United States.
The Church and convent of the Society of Jesus in Antigua Guatemala is a religious complex that was built between 1690 and 1698. It was built on a block that is only 325 yards (300 m) away from the Cathedral of Saint James on a lot that once belonged to the family of famous chronicler Bernal Díaz del Castillo and had three monastery wings and a church.
The Iglesia del Dios Vivo, Columna y Apoyo de la Verdad, La Luz del Mundo (Spanish: [iˈɣlesja ðel ˈdjos ˈβiβo koˈlumnaj aˈpoʝo ðe la βeɾˈðað la ˈlus ðel ˈmundo]; English: "Church of the Living God, Pillar and Ground of the Truth, The Light of the World")—or simply La Luz del Mundo (LLDM)—is a nontrinitarian Christian denomination in the Restorationist tradition, with ...
The Cançó (or Cançon) de Santa Fe (Occitan: [kanˈsu ðe ˈsantɔ ˈfe], Catalan: [kənˈso ðə ˈsantə ˈfɛ]; French: Chanson de Sainte Foi d'Agen, English: Song of Saint Fides), [1] a hagiographical poem about Saint Faith, is an early surviving written work in Old Occitan and has been proposed to be the earliest work in Old Catalan.
The original image of the “Black Christ of Esquipulas”. The Black Christ of Esquipulas is a darkened wooden image of Christ enshrined within the Cathedral Basilica of Esquipulas in Esquipulas, Guatemala.
The Christ of Havana (Spanish: Cristo de La Habana) is a large sculpture representing Jesus of Nazareth, on a hilltop overlooking the bay in Havana, Cuba. It is the work of the Cuban sculptor Jilma Madera , who won the commission for it in 1953.