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The 1990 John Waters film Cry-Baby is a camp reminiscence of Baltimore greasers during the 1950s. [33] In the Fallout video game franchise (1997–present) gangs of greasers are commonly encountered in the 1950s-inspired post-nuclear apocalypse setting. [34] The 2006 video game Bully featured a social hierarchy that included a greaser clique. [35]
Day dresses had fitted bodices and full skirts, with jewel or low-cut necklines or Peter Pan collars. Shirtdresses, with a shirt-like bodice, were popular, as were halter-top sundresses. Skirts were narrow or very full, held out with petticoats; poodle skirts were a brief fad. Evening dresses were ankle-length (called "ballerina length").
Teddy boys playing music at the Queens Hotel, 1977 Teddy boys walking on a busy street, 1977. The Teddy Boys or Teds were a mainly British youth subculture of the early 1950s to mid-1960s who were interested in rock and roll and R&B music, wearing clothes partly inspired by the styles worn by dandies in the Edwardian period, which Savile Row tailors had attempted to re-introduce in Britain ...
They are a youth subculture that emerged in the 1950s and early 1960s from predominantly working class and lower-class teenagers and young adults in the United States and Canada. The subculture remained prominent into the mid-1960s and was particularly embraced by certain ethnic groups in urban areas , particularly Italian Americans , Hispanic ...
Pages in category "1950s fashion" The following 121 pages are in this category, out of 121 total. This list may not reflect recent changes. ...
All these served to popularize leather jackets among American youth from the "greaser subculture" of the 1950s and early 1960s. Later depictions of this subculture feature via The Fonz from the television series Happy Days , produced in the 1970s and 1980s, but set in the 1950s and 1960s (Fonzie's leather jacket is now housed in the Smithsonian ...
During the 1950s, the wealthy and clean cut Squares, Rahs and Socs (Soc being short for social) with their Ivy League clothes were the rivals to the working class Greaser subculture. [13] The conflict between the two groups features in Grease, The Outsiders, [14] Indiana Jones and the Kingdom of the Crystal Skull, and Cry-Baby. [15]
[15] [16] For instance, greasers of the 1950s were associated with street gangs and random acts of juvenile violence, hippies of the 1960s (along with ravers of the 1980–1990s) with promiscuity, anti-establishment agendas and, especially, drug use and those sporting hip hop style with the selling of drugs and other criminal behavior.
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