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Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.
During the period of the Five Dynasties and Ten Kingdoms period, a painter named Huang Quan (黄筌) from Former Shu significantly developed the techniques in bird-and-flower painting, especially in painting trees and flowers, and his painting was called as the fine-sounding name Mogu Huazhi (沒骨花枝). [citation needed]
Hanyu Pinyin. Huáng Yàoshū. Huang Quan (903–965), courtesy name Yaoshu, was a Chinese painter during the Five Dynasties period and the Song dynasty who worked in the imperial painting academies of the Former Shu, Later Shu and Song dynasties. Along with Xu Xi, Huang is considered a founding master of the bird-and-flower painting .
Petrykivka painting (or simply "Petrykivka"; Ukrainian: Петриківський розпис) is a traditional Ukrainian decorative painting style, originating from the village of Petrykivka in Dnipropetrovsk oblast of Ukraine, where it was traditionally used to decorate house walls and everyday household items. The earliest known examples ...
Pressed flower decoupage on a miniature chair. Oshibana (押し花) is the art of using pressed flowers and other botanical materials to create an entire picture from these natural elements. [1] Such pressed flower art consists of drying flower petals and leaves in a flower press to flatten them, exclude light and press out moisture.
In Chinese art, the Four Gentlemen or Four Noble Ones (Chinese: 四君子; pinyin: Sì Jūnzǐ), is a collective term referring to four plants: the plum blossom, the orchid, the bamboo, and the chrysanthemum. [1][2] The term compares the four plants to Confucian junzi, or "gentlemen". They are commonly depicted in bird-and-flower paintings, a ...
He specialized in bird-and-flower painting, and was influenced by Bian Jingzhao and Lü Ji. His works were painted in a very realistic style, and he had many students and patrons. Shen was invited to Japan by a high official. He arrived in Nagasaki in the final month of 1731 with two students, acquiring many Japanese students after his arrival ...
Shen Quan arrived in Nagasaki on the 37th ship on December 3, 1731, and left Japan two years later, on September 18, 1733. He specialised in bird-and-flower painting (Ch: huaniao hua, J: kachōga), one of the major artistic subjects, especially among professional Chinese painters.
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