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Anti-fouling paint. Anti-fouling paint is a specialized category of coatings applied as the outer (outboard) layer to the hull of a ship or boat, to slow the growth of and facilitate detachment of subaquatic organisms that attach to the hull and can affect a vessel's performance and durability. It falls into a category of commercially available ...
Marine art or maritime art is a form of figurative art (that is, painting, drawing, printmaking and sculpture) that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. [1] In practice the term often covers art showing ...
Dazzle camouflage. Dazzle camouflage, also known as razzle dazzle (in the U.S.) or dazzle painting, is a family of ship camouflage that was used extensively in World War I, and to a lesser extent in World War II and afterwards. Credited to the British marine artist Norman Wilkinson, though with a rejected prior claim by the zoologist John ...
Pettit Marine Paint is a manufacturer of marine (boat) coatings, antifouling boat bottom paint, varnish and epoxies for consumer and commercial markets. The company was established in 1861, its headquarters are located in Rockaway , New Jersey .
Biofouling on the hull of a boat. Tributyltin (TBT) is an umbrella term for a class of organotin compounds which contain the (C 4 H 9) 3 Sn group, with a prominent example being tributyltin oxide. [1] For 40 years TBT was used as a biocide in anti-fouling paint, commonly known as bottom paint, applied to the hulls of oceangoing vessels. [2]
The Gulf Stream is an 1899 oil painting by the American artist Winslow Homer. [1] It shows a man in a small dismasted rudderless fishing boat struggling against the storm-tossed waves and perils of the sea, presumably near the Gulf Stream, and was the artist's statement on a theme that had interested him for more than a decade. [2][3] During ...
The Boating Party is an oil painting by American artist Mary Cassatt created in 1893. It is also known under the titles La partie en bateau; La barque; Les canotiers; and En canot.[1] Measuring nearly three by four feet, it is Cassatt’s largest and most ambitious painting. [1][2] It has been in the Chester Dale Collection of the National ...
The Studio Boat (Le Bateau-atelier) The Studio Boat (Le Bateau-atelier) is a painting from 1876 by the French Impressionist Claude Monet. The work depicts Monet at work in his studio boat on the Seine in Argentueil. [1] It was executed en plein air in oil on canvas. It currently is in the collection of the Barnes Foundation of Philadelphia. [2]
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