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Brooch designs were many and varied: geometric decoration, intricate patterns, abstract designs from nature, bird motifs and running scrolls. [8] Zoomorphic ornamentation was a common element during this period, in Anglo-Saxon England as well as in Europe.
Examples of silver brooches in the form of Scottish Claymore swords with Targe shields. Scottish jewellery is jewellery created in Scotland or in a style associated with Scotland, which today often takes the form of the Celtic style. It is often characterised by being inspired by nature, Scandinavian mythology, and Celtic knot patterns.
Gold jewellery from the 10th century Hiddensee treasure, mixing Norse pagan and Christian symbols. Pair of "tortoise brooches," which were worn by married Viking women. Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the ...
In these, the design of the pin head typically shows that the pin is intended to sit underneath the ring (seen from the front), rather than on top of it as in the larger brooches. [ 11 ] "Celtic" is a term avoided by specialists in describing objects, and especially artistic styles, of the Early Middle Ages from the British Isles, but is firmly ...
Grete Prytz Kittelsen (born Adelgunde Margrethe Prytz, June 28, 1917, Oslo, died September 25, 2010, Oslo), was a Norwegian goldsmith, enamel artist, and designer.She is one of the most well-known Norwegians in the Scandinavian Design movement, [1] and has been referred to as the "Queen of Scandinavian Design". [2]
High-quality Mosan 12th century armlet, somewhat damaged, so showing the cast recesses for the enamel. Champlevé is an enamelling technique in the decorative arts, or an object made by that process, in which troughs or cells are carved, etched, die struck, or cast into the surface of a metal object, and filled with vitreous enamel.
Enamel was sometimes used in the same style, often as a cheaper substitute for the stones. In the Insular art of the British Isles the preferred shape was the penannular brooch, and exceptionally large and elaborate examples like the Tara Brooch and Hunterston Brooch were worn by both secular elites and the clergy (at least on liturgical ...
An important advantage of using 3d printing are the relatively low costs for prototypes, small batch series or unique and personalized designs. Shapes that are hard or impossible to create by hand can often be realized by 3D printing. Popular materials to print include polyamide, steel and wax (latter for further