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An antler on a red deer stag. Velvet covers a growing antler, providing blood flow that supplies oxygen and nutrients. Each antler grows from an attachment point on the skull called a pedicle. While an antler is growing, it is covered with highly vascular skin called velvet, which supplies oxygen and nutrients to the growing bone. [6]
Examining signs of modifications to bones can offer conservation scientists information about age, usage, creative techniques, and previous attempts at conservation. Critically, conservation science allows scientists to determine if bone, antler, and horn remains were worked by humans or simply altered by the environment, which in turn leads to ...
Velvet antler is the whole cartilaginous antler in a precalcified growth stage of the Cervidae family including the species of deer such as elk, moose, and caribou. Velvet antler is covered in a hairy, velvet-like "skin" known as velvet and its tines are rounded, because the antler has not calcified or finished developing.
Bone, ivory, and antler are rarely attacked by insects, but horn is often seriously damaged by the larvae of carpet beetles and clothes moths. [7] Light, ultraviolet, and infrared. Ivory, bone, and antler should be kept away from bright light such as spotlights or direct sunlight. Bright light can increase the surface temperature of the object.
Flaked stone reduction involves the use of a hard hammer percussor, such as a hammerstone, a soft hammer fabricator (made of wood, bone or antler), or a wood or antler punch to detach lithic flakes from the lithic core. As flakes are detached in sequence, the original mass of stone is reduced; hence the term for this process.
Neschers antler; Neschers Antler. This was the first piece of portable art recognized by an archaeologist. Found at Neschers, it is a 12,500 year old reindeer antler with a carving of a horse on the surface. Plaques from Apollo 11 cave; These are the earliest forms of figurative portable art found in South Africa.
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The combination of antler and a carved statue resulted in a perfect unit for decoration and room illumination. With the rising prosperity of the European middle class at the end of the 19th century, lusterweibchen chandeliers became an established design feature. [ 4 ]