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Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.
With the 1994 exhibition of East African art objects in Germany, the organisers wanted to make "a previously unknown rich cultural landscape accessible to the wider public." The presentation of the sculptures as works of art from Africa was supplemented by art-historical and ethnological information in the accompanying catalogue. [7]
The Memorial Head (Nsodie) at the Metropolitan Museum of Art was created in the 17th–mid-18th century. It was found in Ghana, Twifo-Heman traditional area from the Akan peoples. These heads were commissioned by the Akan peoples to memorialize royal personages before death. It was thought that elderly women artists fulfilled these commissions. [3]
African art is produced using a wide range of materials and takes many distinct shapes. Because wood is a prevalent material, wood sculptures make up the majority of African art. Other materials used in creating African art include clay soil. Jewelry is a popular art form used to indicate rank, affiliation with a group, or purely aesthetics. [16]
The most widely found - about twenty percent of statues belong to this type - is a figure who raises his hands in front of his face in a gesture often interpreted as praying. The second most prevalent theme is that of mother and child. The art of Lower Zaire, and especially the art of Mayombe, is known for privileging maternity subjects. The ...
Teeth were made by inserting clay pegs between the lip gaps. There is a large gap depicted between the two left side teeth. This specimen represents a differing morphology compared to the other six heads. The face of this specimen was created to bulge outwards and down wards with the nose being set low towards the exaggerated lips.
In the late 1970s, Stella began adding three-dimensionality to his visual art, using metals and other mixed media to blur the boundary between painting and sculpture.
Central Zimbabwe contains the "Great Dyke" – a source of serpentine rocks of many types including a hard variety locally called springstone.An early precolonial culture of Shona peoples settled the high plateau around 900 AD and “Great Zimbabwe”, which dates from about 1250–1450 AD, was a stone-walled town showing evidence in its archaeology of skilled stone working.