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Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English styles of fashion were very different from one another.
Barristers (short wig) and King's Counsels (in full ceremonial dress with long wig) English and Welsh advocates (whether barristers , solicitors or other authorised lawyers such as chartered legal executive advocates with the appropriate right of audience) who appear before a judge who is robed must themselves be robed.
Powdering wigs and extensions was messy and inconvenient, and the development of the naturally white or off-white powderless wig (made of horsehair) for men made the retention of wigs in everyday court dress a practical possibility. By 1765, wig-wearing went out of fashion except for some occupational groups such as coachmen and lawyers.
The cadogan style of men's hair developed and became popular during this period, with horizontal rolls of hair over the ears. Later, wigs or the natural hair were worn long, brushed back from the forehead and clubbed or tied back at the nape of the neck with a black ribbon. From about 1720, a bag wig gathered the back hair in a black silk bag.
The 1770s were notable for extreme hairstyles and wigs which were built up very high, and often incorporated decorative objects (sometimes symbolic, as in the case of the famous engraving depicting a lady wearing a large ship in her hair with masts and sails—called the "Coiffure à l'Indépendance ou le Triomphe de la liberté"—to celebrate ...
The pointed needles are very sharp. This is paramount, because the hackle is used for three main purposes: mixing or blending hairs in special blends of colours, untangling wigs or hair extensions, and preparing the hair in a single or double draw. For single drawn, the shortest hairs in the bundle at the root area are removed.
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In England from the 1630s, under the influence of literature and especially court masques, Anthony van Dyck and his followers created a fashion for having one's portrait painted in exotic, historical or pastoral dress, or in simplified contemporary fashion with various scarves, cloaks, mantles, and jewels added to evoke a classic or romantic mood, and also to prevent the portrait appearing ...
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