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[5] As discussed by critic Marshall Soules, medium specificity and media specific analysis are playing an important role in the emergence of new media art forms, such as Internet art. [6] Medium specificity suggests that a work of art can be said to be successful if it fulfills the promise contained in the medium used to bring the artwork into ...
Intermedia is an art theory term coined in the mid-1960s by Fluxus artist Dick Higgins to describe the strategies of interdisciplinarity that occur within artworks existing between artistic genres. [ 1 ] [ 2 ] [ 3 ] It was also used by John Brockman to refer to works in expanded cinema that were associated with Jonas Mekas ' Film-Makers ...
A. ACiD Productions; Act-i-vate; Ad Hoc Committee of Women Artists; African American Artists Collective KC; AfriCOBRA; Albus Cavus; Alliance of Figurative Artists
Medium essentialism is a philosophical theory stating that each artform has its own distinctive medium, and that the essence of such an artform is dependent on its particular medium. [1] In practice, the theory argues that every artwork should manifest its essential properties, those which no other artform can employ.
American Visions: The Epic History of Art in America is a 1997 book by art critic Robert Hughes. It was also turned into a 6-part documentary series featuring the author. It was also turned into a 6-part documentary series featuring the author.
Folk art in the United States refers to the many regional types of tangible folk art created by people in the United States of America.Generally developing in the late 18th and early 19th centuries, when settlers revived artistic traditions from their home countries in a uniquely American way, folk art includes artworks created by and for a large majority of people.
This is basically the meaning of "the medium is the message". To demonstrate the flaws of the common belief that the message resides in how the medium is used (the content), McLuhan provides the example of mechanization, pointing out that regardless of the product (e.g., corn flakes or Cadillacs), the impact on workers and society is the same. [4]
Clement Greenberg (/ ˈ ɡ r iː n b ɜːr ɡ /) (January 16, 1909 – May 7, 1994), [1] occasionally writing under the pseudonym K. Hardesh, was an American essayist known mainly as an art critic closely associated with American modern art of the mid-20th century and a formalist aesthetician.