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Masks are a prominent feature of African cultural heritage. The history, use, and symbolism of masks vary across national, ethnic, and cultural identities. In West Africa, masking traditions are closely linked with the history of masquerades. Dogon Masks and Ceremonial Costumes
A Punu-Lumbo mask. A Punu-Lumbo mask is a tribal mask native to the Ogooué River basin in Gabon, especially in the south in Ngounié Province. [1] The masks are extremely valuable to collectors of African art, and have been sold at Sotheby's for well over $400,000. [2]
The Woyo masks are typically made out of wood, and painted with contrasting colors, often in dots. The colors used had symbolic meaning and were sometimes repainted, symbolizing rebirth, or to restore the power of the mask. [1] They were worn in ceremonial dances known as the ndunga. They are also decorated with sacred objects known as nkissi. [2]
Often strips of raffia, which are pieces of fiber from the raffia palm, are attached to the mask. The white color of these masks is associated with things like the spirits of ancestors, death, and male virility or manhood. [2] Most Ngil masks are an oval shape featuring a broad forehead with an elongated chin and nose.
A discernible mask from the Kwele and other people of the equatorial forest is the heart-shaped mask. The details featured on them are typical of Kwele masks. Usually made from flat or curved wood, this mask embodies features seen on monkeys, birds, butterflies, or the face of an ancestor.
They are put in museums for display and educational purposes. People can see them in the museum and learn about the history of the mask, as it depicts the culture and life of the tribe. These masks play a significant role in the culture and spiritual world of the Bambara people. The masks are visually expressive and have high attention to detail.
African masks are also used in the Mas or Masquerade of the Caribbean Carnival. Djolé (also known as Jolé or Yolé) is a mask-dance from Temine people in Sierra Leone. Males wear the mask, although it does depict a female. Fang mask used for the ngil ceremony, an inquisitorial search for sorcerers. Wood, Gabon, 19th century
All Bobo masks serve as a means of contact between human beings and these deities; some represent the deities themselves while others, called bolo masks, depict animals and people. Bolo masks such as this one are usually danced for entertainment. The art of Burkina Faso is the product of a rich cultural history
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