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Abu Nuwas (747-815) wrote homoerotic poetry. Another poet who sang of the illicit pleasures of wine and ephebes was Abū Nuwās al-Hasan Ibn Hāni' al-Hakamī, better known simply as Abu Nuwas (Ahvaz, Iran, 747 - Baghdad, 815). The homoerotic love he celebrated is similar to that described in ancient Greece: the adult poet assumes an active ...
Abu Nuwas (أبو نواس, Abū Nuwās) [a] (756-8 – c. 814) was a classical Arabic poet, and the foremost representative of the modern (muhdath) poetry that developed during the first years of the Abbasid Caliphate.
Encyclopedia of Arabic Literature. Vol. 2. London; New York: Routledge. ISBN 0-415-18572-6. Moreh, S. (1976). Modern Arabic Poetry 1800–1970: The Development of its Forms and Themes under the Influence of Western Literature. Studies in Arabic Literature, 5. Leiden: E. J. Brill. ISBN 90-04-04795-6
Homoerotic poetry is a genre of poetry implicitly dealing with same-sex romantic or sexual interaction. The male-male erotic tradition encompasses poems by major poets such as Pindar, Theognis of Megara, Anacreon, Catullus, Virgil, Martial, Abu Nuwas, Michelangelo, Walt Whitman, Federico García Lorca, W. H. Auden, Fernando Pessoa and Allen Ginsberg.
One such cycle of Arabic tales centres around a small group of historical figures from ninth-century Baghdad, including the caliph Harun al-Rashid (died 809), his vizier Jafar al-Barmaki (d. 803) and the licentious poet Abu Nuwas (d. c. 813). Another cluster is a body of stories from late medieval Cairo in which are mentioned persons and places ...
It is said that Nuwas struck a bargain with his contemporary Abu al-Alahijah: Abu Nuwas would concentrate on wine and love poems whilst al-Alahijah would write homilies. These homilies expressed views on religion, sin and the afterlife, but occasionally strayed into unorthodox territory.
Along with Umar ibn Abi Rabi'ah, he is one of the representatives of the literary form of ghazel which became popular in the urban centers of the Umayyad Caliphate, but his better known works were his satirical poems, which influenced later satirical poets like Abu Nawas and Al-Jahiz.
Dik al-Jinn departs, like his contemporary Abu Nuwas, standards of ancient poetry from Pre-Islamic qasida and its range of Bedouin themes. Leaving aside the long verses generally preferred by poets of the classical style, such as Tawil, Dik al-Jinn composed above all on the basit, kamil, and khafif meters.