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[71] Photographers decide what to take a photo of, what elements to exclude and what angle to frame the photo, and these factors may reflect a particular socio-historical context. Along these lines, it can be argued that photography is a subjective form of representation. Modern photography has raised a number of concerns on its effect on society.
There are many instances where people believe photos will bring bad luck either to the person taking the picture or people captured in the photo. For instance, a photograph taken of a pregnant woman will bring bad luck to the baby in the womb and photos taken of dead people will ensure that person is not successful in the afterlife. [12]
The term arose from the fascination of artists with the "classical" black-and-white vernacular snapshot, the characteristics of which were: 1) they were made with a hand-held camera on which the viewfinder could not easily 'see' the edges of the frame, [citation needed] unlike modern cheap digital cameras with electronic viewfinder, and so the ...
Self-image is the mental picture, generally of a kind that is quite resistant to change, that depicts not only details that are potentially available to an objective investigation by others (height, weight, hair color, etc.), but also items that have been learned by persons about themselves, either from personal experiences or by internalizing the judgments of others.
The original image of Barbra Streisand's cliff-top residence in Malibu, California, which she attempted to suppress in 2003. The Streisand effect is an unintended consequence of attempts to hide, remove, or censor information, where the effort instead increases public awareness of the information.
The term was first suggested in a 2015 study. [28] Common examples of mental images include daydreaming and the mental visualization that occurs while reading a book. Another is of the pictures summoned by athletes during training or before a competition, outlining each step they will take to accomplish their goal. [29]
Photo psychology or photopsychology is a specialty within psychology dedicated to identifying and analyzing relationships between psychology and photography. [1] Photopsychology traces several points of contact between photography and psychology.
Allan Paivio's dual-coding theory is a basis of picture superiority effect. Paivio claims that pictures have advantages over words with regards to coding and retrieval of stored memory because pictures are coded more easily and can be retrieved from symbolic mode, while the dual coding process using words is more difficult for both coding and retrieval.