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It was his job to comb through the offerings and select the songs that would line the pews. As Ace Collins says in Stories Behind the Best-Loved Songs of Christmas, "That meant he had to include music that could be sung by huge church choirs in places like Boston and by tiny congregations in places like Salem, Arkansas. Every pastor and song ...
The song was first published in the 1582 Finnish song book Piae Cantiones, a volume of 74 medieval songs with Latin texts collected by Jaakko Suomalainen, a Finnish Lutheran cleric, and published by T. P. Rutha, a Catholic printer. [3] The song book had its origins in the libraries of cathedral song schools, whose repertory also had strong ...
Though considered by many as a Christmas carol, [1] it is found in the Epiphany section of many hymnals and still used by many churches. [2] The music was adapted by William Henry Monk in 1861 from a tune written by Conrad Kocher in 1838. [1] The hymn is based on the visit of the Biblical Magi in the Nativity of Jesus. [3]
The hymn was first published by John Francis Wade in his collection Cantus Diversi (1751), [2] [9] with four Latin verses, and music set in the traditional square notation used for medieval liturgical music. This version is in triple meter, contrary to modern versions. It was published again in the 1760 edition of Evening Offices of the Church.
Singing carols during the 2014 Declaration of Christmas Peace in Porvoo, Finland. In modern times, songs that may once have been regarded as carols are now no longer classified as such (especially Christmas songs), even those that retain the traditional attributes of a carol – celebrating a seasonal topic, alternating verses and chorus, and danceable music.
The music was attributed to "W. M.". According to some websites, [4] the hymn is by the nineteenth-century Wilfrid Moreau from Poitiers. "Angels We Have Heard on High" was an 1862 paraphrase by James Chadwick [citation needed], the Roman Catholic Bishop of Hexham and Newcastle, in the north-east of England. Chadwick's lyrics are original in ...
Source [2]. John Henry Hopkins Jr. organized the carol in such a way that three male voices would each sing a solo verse in order to correspond with the three kings. [3] The first and last verses of the carol are sung together by all three as "verses of praise", while the intermediate verses are sung individually with each king describing the gift he was bringing. [4]
The Seven Joys of Mary (1480), Hans Memling "The Seven Joys of Mary" (Roud # 278) is a traditional carol about Mary's happiness at moments in the life of Jesus, probably inspired by the trope of the Seven Joys of the Virgin in the devotional literature and art of Medieval Europe.