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Le Parti pris des choses is a collection of 32 short to medium-length prose poems by the French poet and essayist Francis Ponge.It was first published in 1942.The title has been translated into English as Taking the Side of Things and as The Nature of Things.
Diverse translations (usually to English) of a short poem in Renaissance French, Clément Marot's A une Damoyselle malade (referred to as ‘Ma mignonne’ by Hofstadter), serve as reference points for his ideas on the subject. [1] Groups of translations alternate with analysis and commentary on the same throughout the book.
For Baudelaire, the setting of most poems within Le Spleen de Paris is the Parisian metropolis, specifically the poorer areas within the city. Notable poems within Le Spleen de Paris whose urban setting is important include “Crowds” and “The Old Mountebank.” Within his writing about city life, Baudelaire seems to stress the relationship ...
Le Bateau ivre (The Drunken Boat) is a Symbolist poem written in the summer of 1871 by French poet Arthur Rimbaud, then aged sixteen. The poem, one-hundred lines long, with four alexandrines per each of its twenty-five quatrains , describes the drifting and sinking of a boat lost at sea in a fragmented first-person narrative saturated with ...
Paroles (; "Words") is a collection of poems by Jacques Prévert, [1] first published in 1946. [2] [3] [4] Lawrence Ferlinghetti's translation of 44 poems from this collection was published by Penguin Books in the 1960s, under the title Selections from Paroles. [5] A sound recording of his reading the poems was made in the 1950s. [6]
L'après-midi d'un faune (or "The Afternoon of a Faun") is a poem by the French author Stéphane Mallarmé. It describes the sensual experiences of a faun who has just woken up from his afternoon sleep and discusses his encounters with several nymphs during the morning in a dreamlike monologue.
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Alcools (English: Alcohols) is a collection of poems by the French author Guillaume Apollinaire.His first major collection was published in 1913. The first poem in the collection, Zone (an epic poem of Paris), has been called "the great poem of early Modernism" by the scholar Martin Sorrell.
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