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Many contemporary Chinese women artists have employed the use of female bodies as the subject of their artworks. From the ancient and imperial period of China until early the 19th century, women's body images in Chinese art were predominantly portrayed through male artists' lenses. As a result, female bodies were often misrepresented.
At this time, the introduction of nude models into the teaching of human body painting in Chinese art academies was less than ten years old, and the public was still controversial about human body painting. Models at the Central Academy of Fine Arts suspended classes to protest the school's breach of its promise to keep them confidential. [3]
The Anhui Museum holds a collection of Pan Yuliang's works of art, including 4000 pieces, 3892 sketches, 393 ink paintings, 361 oil paintings, 13 block prints, 6 engravings, and 4 sculptures. Only ten of her oil paintings are on the market, leading to high valuations. [ 14 ]
Painting in the traditional style is known today in Chinese as guó huà (simplified Chinese: 国画; traditional Chinese: 國畫), meaning "national painting" or "native painting", as opposed to Western styles of art which became popular in China in the 20th century.
Chang Ch'ung-ho or Zhang Chonghe (1914–2015), Chinese-American poet, painter, calligrapher; Georgette Chen (1906-1993), Chinese-Singaporean modern art painter; Chen Jin (1907-1998), first Taiwanese painter to achieve national recognition; Chen Ke (born 1978), painter; Movana Chen (born 1975), paper knitting artist
Female self-portrait in painting is the representation of a person of the female gender painted by herself. While using pictorial techniques and responding to the motivations of the self-portrait in general, the female self-portrait differentiates itself from the male by aspects concerning the physiognomy , the anatomy and the physiology of the ...
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Though the pioneer of Chinese court lady paintings was Mao Yanshou from the Han dynasty, the Tang dynasty court painters gave their works a unique look fusing Central Plain art with influences from Central Asia, Near East and other regions, reconceptualizing female beauty that went beyond canvases, to tomb murals, poems, and statuettes.