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  2. Intarsia - Wikipedia

    en.wikipedia.org/wiki/Intarsia

    The start of the practice dates from before the seventh century AD. The technique of intarsia inlays sections of wood (at times with contrasting ivory or bone, or mother-of-pearl) within the solid wood matrix of floors and walls or of tabletops and other furniture; by contrast marquetry assembles a pattern out of veneers glued upon the carcass.

  3. Khatam - Wikipedia

    en.wikipedia.org/wiki/Khatam

    Detail of an Iranian jewel box decorated by khatam. Khātam (Persian: خاتم) is an ancient Persian technique of inlaying.It is a version of marquetry where art forms are made by decorating the surface of wooden articles with delicate pieces of wood, bone and metal precisely-cut intricate geometric patterns.

  4. Inlay - Wikipedia

    en.wikipedia.org/wiki/Inlay

    Inlay (ivory, red sandalwood, copper) on wooden casket. In a wood matrix, inlays commonly use wood veneers, but other materials like shells, mother-of-pearl, horn or ivory may also be used. Pietre dure, or coloured stones inlaid in white or black marbles, and inlays of precious metals in a base metal matrix, are other forms of inlay. Master ...

  5. Marquetry - Wikipedia

    en.wikipedia.org/wiki/Marquetry

    Marquetry (also spelled as marqueterie; from the French marqueter, to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns or designs. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial ...

  6. 30 Examples Of Surrealism Art That Might Make It Your ... - AOL

    www.aol.com/lifestyle/30-examples-surrealism-art...

    The list is full of examples of this art style and movement that were created by artists from all around the world. So, check them out; maybe it will convince you to become a surrealism enthusiast.

  7. Pietra dura - Wikipedia

    en.wikipedia.org/wiki/Pietra_dura

    Pietra dura developed from the ancient Roman opus sectile, which at least in terms of surviving examples, was architectural, used on floors and walls, with both geometric and figurative designs. In the Middle Ages cosmatesque floors and small columns, etc. on tombs and altars continued to use inlays of different colours in geometric patterns.

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