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In the 19th century, two contrasting methods of describing the flower were introduced: the textual floral formulae and pictorial floral diagrams. [2] Floral diagrams are credited to A. W. Eichler, whose extensive work Blüthendiagramme [3] [4] (1875, 1878) remains a valuable source of information on floral morphology.
There are many perfectly identifiable flowers in books like The Book of Hours [11] (two volumes) by the Master of Flowers (Maître-aux-fleurs, 15th century) or Jean Bourdichon's Grandes Heures of Anne of Brittany (between 1503 and 1508), with 337 plants from the Queen's garden, captioned in Latin and French. These artists' objective was, though ...
The 18th century Enlightenment values of reason and science coupled with new voyages to distant lands instigating another phase of encyclopaedic plant identification, nomenclature, description and illustration, "flower painting" possibly at its best in this period of history.
This can be translated in a number of ways, including "great flower" or "celebratory flower." Introduced into the Malay Peninsula in the 12th century, it was nominated as the national flower in the year 1958 by the Ministry of Agriculture amongst a few other flowers, namely ylang ylang, jasmine, lotus, rose, magnolia, and medlar.
The name "Flower of Life" is given to the overlapping circles pattern in New Age publications. Of special interest is the hexafoil or six-petal rosette derived from the "seven overlapping circles" pattern, also known as " Sun of the Alps " from its frequent use in alpine folk art in the 17th and 18th century.
Liber Floridus ("Book of Flowers") is a medieval encyclopedia that was compiled between 1090 and 1120 by Lambert, Canon of Saint-Omer. [2] The text compiles extracts from some 192 or so different works. [3] Lambert's medieval encyclopedia contains a universal history, a chronological record of events to the year 1119.
Floral formulae are one of the two ways of describing flower structure developed during the 19th century, the other being floral diagrams. [2] The format of floral formulae differs according to the tastes of particular authors and periods, yet they tend to convey the same information. [1] A floral formula is often used along with a floral diagram.
In medieval England, from the mid-12th century, a noblewoman's seal often showed the lady with a fleur-de-lis, drawing on the Marian connotations of "female virtue and spirituality". [70] Images of Mary holding the flower first appeared in the 11th century on coins issued by cathedrals dedicated to her, and next on the seals of cathedral ...