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Some authors associate the name with the Tamil word śivappu meaning "red", noting that Shiva is linked to the Sun (śivan, "the Red one", in Tamil) and that Rudra is also called Babhru (brown, or red) in the Rigveda.
Iraiyanar (Tamil: இறையனார்), literally meaning "the Lord" and also a common name of Shiva, was a legendary poet of the Sangam period who is believed to have composed verse 2 of Kurunthogai. [1] He is believed to be the incarnation of Lord Shiva of the temple at Madurai, known as 'Aalavaai Sokkar' or 'Sokkanathar'. [1]
The Nayanars (or Nayanmars; Tamil: நாயன்மார், romanized: Nāyaṉmār, lit. 'hounds of Siva', and later 'teachers of Shiva') [1] were a group of 63 Tamil Hindu saints living during the 6th to 8th centuries CE who were devoted to the Hindu god Shiva.
He then explained the issuing of the twenty-eight books of the Shiva sect, from the centre mouth of Shiva; and the Rig, Sama, Yajur and Atharva Vedas, from the other four mouths. moreover, stating that the sense of the Vedas was difficult to be made out, and of no very great consequence, he told them the real secret was the duty of worshipping ...
The Tevaram hymns incorporate names of Shiva temple pilgrimage sites. The poems also involved glorifying the feat of Shiva in the particular location. [68] These hymns helped create a sacred geography of Tamil Shaivism, interconnecting this regional Shaiva community within and to the broader Shaivism across the Indian subcontinent.
Kanagasabai is the Tamil name of the court in the temple of the Hindu god Shiva in Chidambaram in the state of Tamil Nadu, India. In this temple the main idol is in the dancing form, which is usually called Nataraja. Kanagasabai is a combination of two Tamil words, kanagam meaning gold and sabai meaning court.
Shiva appeared in his dream and told Nandanar to enter the temple through a holy fire. The god also informed the Brahmin priests of Chidambaram to prepare a pyre. Next day, the Brahmins approached Nandanar as per the divine order. [3] [5] Nandanar entered the holy fire chanting the name of Shiva and reappeared in a new purified form.
It is the tenth of the twelve volumes of the Tirumurai, the key texts of Shaiva Siddhanta and the first known Tamil work to use the term. The Tirumantiram is the earliest known exposition of the Shaiva Agamas in Tamil. It consists of over three thousand verses dealing with various aspects of spirituality, ethics and praise of Shiva.