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The "Colonel Bogey March" is a British march that was composed in 1914 by Lieutenant F. J. Ricketts (1881–1945) (pen name Kenneth J. Alford), a British Army bandmaster who later became the director of music for the Royal Marines at Plymouth. The march is often whistled.
"John Brown" is an anti-war song. [6] The lyrics are influenced by "Mrs. McGrath", [1] which relates how a young Irish soldier is maimed after fighting in the British Army against Napoleon's forces, and is met by his mother who asks how he was injured. [2] [7] In Dylan's song, a soldier's mother expresses her pride at him going off to war. [7]
The following text may date back to the War of Spanish Succession (1702–1713), since it refers to the grenadiers throwing grenades and the men wearing "caps and pouches" (i.e. the tall grenadier caps, [10] worn by these elite troops, and the heavy satchel [11] in which grenades were carried) and "loupèd clothes" – coats with broad bands of 'lace' across the chest that distinguished early ...
The remaining two date from the First World War; Carrington considered Epitaphs of the War, written in a first-person style, and Gethsemane, also in a soldier's voice, to meet his definition. Both were published in The Years Between (1919). Kipling wrote profusely on military themes during the war, but often from a more detached perspective ...
"Bless 'Em All", also known as "The Long and the Short and the Tall" and "Fuck 'Em All", is a war song. The words have been credited to Fred Godfrey in 1917 set to music composed by Robert Kewley, however, early versions of the song may have existed amongst British military personnel in the 1880s in India.
"Men of Harlech" is widely used as a regimental march, especially by British Army and Commonwealth regiments historically associated with Wales.Notably, it is the slow march of the Welsh Guards, the quick march of the Royal Welsh, and the march of the Royal Canadian Hussars (Montreal), The Governor General's Horse Guards, and The Ontario Regiment, for which it is the slow march.
The song tells the story of a woman whose son enters the British Army and returns seven years later having lost his legs to a cannonball while fighting against Napoleon presumably at the Battle of Fuentes de Oñoro (fought between 3 and 5 May 1811). The general theme of the song is one of opposition to war.