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The Last Day of Pompeii is a large history painting by Karl Bryullov produced in 1830–1833 on the subject of the eruption of Mount Vesuvius in AD 79.It is notable for its positioning between Neoclassicism, the predominant style in Russia at the time, and Romanticism as increasingly practised in France.
The Execution of Lady Jane Grey by Paul Delaroche. The Salon of 1834 was an art exhibition held at the Louvre in Paris, which opened on 6 March 1834.It marked a shift to annual exhibitions of the Paris Salon which had previously taken place every two or three years.
Pompeii: The Last Day is a 2003 dramatized documentary that tells of the eruption of Mount Vesuvius towards the end of August 79 CE. [1] [2] This eruption covered the ancient Roman cities of Pompeii and Herculaneum in ash and pumice, killing a large number of people trapped between the volcano and the sea.
Fascinating artworks have been uncovered in a new excavation at Pompeii, the ancient Roman city doomed and buried by Mount Vesuvius’s deadly eruption in AD79.. The most impressive discovery is ...
In 1827, Karl Bryullov visited the excavations of Pompeii, [16] [17] where he decided to create a painting dedicated to the death of this city. [18] [19] Since 1827 he worked on sketches, and in 1830 he began the final version of a large multi-figure canvas "The Last Day of Pompeii", work on which continued until 1833. [20]
L'ultimo giorno di Pompei ("The last day of Pompeii") is an opera (dramma per musica) in two acts composed by Giovanni Pacini to an Italian libretto by Andrea Leone Tottola. It premiered to great success at the Teatro San Carlo in Naples on 19 November 1825 followed by productions in the major opera houses of Italy, Austria, France, and Portugal.
“Karl Briullov’s Last Day of Pompeii at the Paris Salon of 1834.” The Art Bulletin 103, no. 2 (June 2021). 77–103. DOI: 10.1080/00043079.2021.1847579 “Exhibiting Westernization: Aleksei Venetsianov’s Nudes and the Russian Art Market 1820-1850.” Nineteenth-Century Studies 25 (2015). 131–147. “ ‘Serving Art…’
More recently, Antin completed two large scale photographic series inspired by Roman history and mythology: The Last Days of Pompeii, 2002, and Roman Allegories, 2005. Her work was profiled in Season Two of the PBS series Art:21. [17]
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