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Cross-note tunings include a minor third, so giving a minor chord with open strings. Fretting the minor-third string at the first fret produces a major-third, so allowing a one-finger fretting of a major chord. [40] By contrast, it is more difficult to fret a minor chord using an open major-chord tuning.
[11] [12] With the repetition of three open-string notes, each major-thirds tuning provides the guitarist with many options for fingering chords. Indeed, the fingering of two successive frets suffices to play pure major and minor chords, while the fingering of three successive frets suffices to play seconds, fourths, sevenths, and ninths. [11] [14]
It makes playing in the key of A major easier, though chord fingerings have to be altered unless the strings are rearranged to F ♯-B-E-A-C ♯. Open G tuning – G-d-g-b-d' Some slide/bottleneck guitarists omit the bottom E string when playing in open G to have the root note as the tonic. This tuning is used by Keith Richards.
More tunings of the minor chord are also available in various equal temperaments other than 12-TET. Rather than directly from the harmonic series, Sorge derived the minor chord from joining two major triads; for example the A minor triad being the confluence of the F and C major triads. [13] A–C–E = F–A–C–E–G. Given justly tuned ...
For the C major chord (C,E,G), the conventional left-hand fingering doubles the C and E notes in the next octave; this fingering uses two open notes, E and G: E on the first string; C on the second string; G on the third string; E on the fourth string; C on the fifth string; Sixth string is not played. [49] Major Chords (Guide for Guitar Chord ...
C – Am – Dm – G 7. This chord progression instructs the performer to play, in sequence, a C major triad, an A minor chord, a D minor chord, and a G dominant seventh chord. In a jazz context, players have the freedom to add sevenths, ninths, and higher extensions to the chord. In some pop, rock and folk genres, triads are generally ...