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After Sikhs began to progressively come into more and more contact with Europeans after 1830, the main influence on Punjabi Sikh art shifted from Pahari styles and methods to European ones. [13] The Punjabi form and localization of Company paintings would be born out of this increased interaction between European and Punjabi artists. [13]
Chowk-poorana mud wall art in Punjab is given shape by the peasant women of the state. In courtyards, this art is drawn using a piece cloth. The art includes drawing tree motifs, flowers, ferns, creepers, plants, peacocks, palanquins, geometric patterns along with vertical, horizontal and oblique lines. These arts add to the festive atmosphere. [5]
Sikh painting is a form of Sikh art style spread from Punjab Hills to the Punjab Plains which flourished between the 18th to 19th centuries. Major centres for the art school was Lahore, Amritsar, Patiala, Nabha, Kapurthala and Jind. Artists from surrounding regions migrated to Punjab seeking patronage for varying reasons.
Sikh art, also known as the Sikh School [1], is the artwork created by or associated with Sikhs and Sikhism.Sikh artwork exists in many forms, such as miniature, oil, and watercolour paintings, murals, and wood carvings.
Gatka (Gurmukhi: ਗੱਤਕਾ; Shahmukhi: گَتّکا; Hindi: गतका; Urdu: گَتکا) is a form of martial art associated primarily with the Sikhs of the Punjab and other related ethnic groups, such as Hindkowans. [1] [2] It is a style of stick-fighting, with wooden sticks intended to simulate swords. [3]
Shastar Vidya (Punjabi: ਸ਼ਸਤਰ-ਵਿੱਦਿਆ, romanized: shastarvidiā, meaning "science of weapons" or "art of weapons" [1] [2]), also known as Sanatan Shastar Vidya (Punjabi: ਸਨਾਤਨ ਸ਼ਸਤਰ ਵਿੱਦਿਆ), is a Sikh martial art form dating back to the 17th century.
The Sikhs are adherents to Sikhism, the fifth largest organized religion in the world, with around 25 million adherents. [1] Sikh History is around 500 years and in that time the Sikhs have developed unique expressions of art and culture which are influenced by their faith and synthesize traditions from many other cultures depending on the locality of the adherents of the religion.
Gian Singh Naqqash (1883 – 1953) was a Punjabi Sikh artist who specialized in naqqashi and mohrakashi methods. [1] [2] [3] He was a fresco painter and worked at the Golden Temple for more than 33 years.
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