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The Piano Concerto No. 5 in E-flat major, Op. 73, known as the Emperor Concerto in English-speaking countries, is a piano concerto composed by Ludwig van Beethoven.Beethoven composed the concerto in 1809 under salary in Vienna, and he dedicated it to Archduke Rudolf, who was his patron, friend, and pupil.
Piano Concerto No. 5 in E-flat major may refer to: Piano Concerto No. 5 ("Emperor") (Beethoven) Piano Concerto No. 5
Piano Concerto No. 5 refers to the fifth piano concerto written by one of a number of composers: Piano Concerto No. 5 (Bach) in F minor, Piano Concerto No. 5 (Beethoven) in E-flat major, Emperor; Piano Concerto No. 5 (Field) in C major, L'incendie par l'orage; Piano Concerto No. 5 (Herz) in F minor; Piano Concerto No. 5 (Litolff) in C minor
Piano Concerto No. 5 (Beethoven) in E-flat major, Emperor; Piano Concerto No. 5 (Field) in C major, L'incendie par l'orage; Piano Concerto No. 5 (Herz) in F minor; Piano Concerto No. 5 (Litolff) in C minor; Piano Concerto No. 5 (Moscheles) in C major; Piano Concerto No. 5 (Mozart) in D major; Piano Concerto No. 5 (Prokofiev) in G major; Piano ...
Piano Concerto in E-flat major may refer to: Piano Concerto No. 9 (Mozart) Piano Concerto No. 10 (Mozart) Piano Concerto No. 14 (Mozart) Piano Concerto No. 22 (Mozart) Piano Concerto No. 0 (Beethoven) Piano Concerto No. 5 (Beethoven) Piano Concerto No. 1 (Liszt) Piano Concerto No. 3 (Liszt) Piano Concerto No. 3 (Saint-Saëns) Piano Concerto No ...
The only other such Beethoven quartet is the String Quartet No. 14 in C-sharp minor, Op. 131 (there in the final movement). [1] According to musicologist Peter Schleuning, the violin solo in the coda with its broken chords is inspired by the final movement in Johann Sebastian Bach's Brandenburg Concerto No. 4. [2]
[5] One of his most notable works is his Concerto for Alto Trombone and Orchestra in B ♭ Major (1759). [6] As the trombone has few works dating back to the classical period, his concerto is often highlighted by the trombone community. He also wrote a Concerto for the Mandola, Op. 27, discussed positively in the 1914 book The Guitar and ...
A similar procedure can be found in Beethoven's piano concerto Op. 19 in the same key. In the last movement, the A section returns in G major rather than B ♭ and modulates back to B ♭ via the same chord progression as in this quartet. Also, the main themes of the movements share the same initial pulse (short note on the first beat followed ...