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Briseis (/ b r aɪ ˈ s iː ɪ s /; Ancient Greek: Βρισηίς, romanized: Brīsēís, lit. 'daughter of Briseus', pronounced [briːsɛːís] ), also known as Hippodameia ( Ἱπποδάμεια , [hippodámeːa] ), [ 2 ] is a significant character in the Iliad .
As the settlement flourished, Greek influence was transmitted to Pompeii and the wider Roman world through these colonies. Rooted in this early link, Rome developed a deep and enduring fascination for Greek culture as they integrated its art, architecture and religion into their own society. [3]
The plot begins when Greeks led by Achilles sack Lyrnessus, describing the looting and burning of the city, the massacre of its men and the abduction of its women including Briseis, the childless wife of king Mynes. When the women are handed out to the leaders of the Greek raiders, Briseis, as beautiful and of royal blood, is given to Achilles.
Mainstream Greek religion appears to have developed out of Proto-Indo-European religion and although very little is known about the earliest periods there are suggestive hints that some local elements go back even further than the Bronze Age or Helladic period to the farmers of Neolithic Greece.
Briseis taken away from Achilles, Fourth Style of Pompeian wall painting, from the atrium of the House of the Tragic Poet Detail. Achilles and Briseis is an ancient Roman painting from the 1st-century AD, depicting the scene from the Iliad where the captured Trojan princess and priestess Briseis is taken away from Achilles by the order of Agamemnon.
It was a basic aspect of religion in ancient Greece, and possibly the most common religious practice. [2] It was common to perform libations at the beginning and end of every day, and also at the beginning of meals, and was customarily paired with prayer to the gods, which was performed while standing upright and sometimes with their arms ...
In Greek mythology, the primordial deities are the first generation of gods and goddesses.These deities represented the fundamental forces and physical foundations of the world and were generally not actively worshipped, as they, for the most part, were not given human characteristics; they were instead personifications of places or abstract concepts.
A theatrical culture flourished in ancient Greece from 700 BC. At its centre was the city-state of Athens, which became a significant cultural, political, and religious place during this period, and theatre was institutionalised there as part of a festival called the Dionysia, which honoured the god Dionysus.