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The failure of Symphony No. 1 was probably related to a subsequent psychological collapse that Rachmaninoff suffered a few months later; it haunted him until his death in 1943. The Symphony No. 1 in D minor, Op. 13, is a four-movement composition for orchestra written from January to October 1895 by the Russian composer Sergei Rachmaninoff.
No. 1, in F minor: No. 2, in C major: No. 3, in C minor: No. 4, in D minor: No. 5, in E ♭ minor: No. 6, in E ♭ major: No. 7, in G minor: No. 8, in C ♯ minor: 1910–2: 34: Fourteen Songs "The Muse" "In the Soul of Each of Us" "The Storm" "The Migrant Wind" "Arion" "The Raising of Lazarus" "It Cannot Be" "Music" "You Knew Him" "I Remember ...
The work allowed him to indulge in a nostalgia for the Russia he had known, as much as he had done in the Symphony No. 3, [1] as well as to effectively sum up his lifelong fascination with ecclesiastical chants. In the first dance, he quotes the opening theme of his Symphony No. 1, itself derived from motifs characteristic of Russian church music.
This is followed by a piano-solo which continues the first theme and leads into a descending chromatic passage to a pianississimo A ♭ major chord. Then the second theme is heard played with a horn solo. The entrance of the piano reverts the key back into C minor, with triplet passages played over a mysterious theme played by the orchestra.
Sergei Rachmaninoff composed his Piano Concerto No. 1 in F ♯ minor, Op. 1, in 1891, at age 17–18 (the first two movements were completed while he was still 17; the third movement and the orchestration were completed shortly after he had turned 18). He dedicated the work to Alexander Siloti. He revised the work thoroughly in 1917.
Rachmaninoff ca. 1933. The Rhapsody on a Theme of Paganini, Op. 43, (Russian: Рапсодия на тему Паганини, Rapsodiya na temu Paganini) is a concertante work written by Sergei Rachmaninoff for piano and orchestra, closely resembling a piano concerto, all in a single movement.
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