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The first season of The Twilight Zone aired Fridays at 10:00–10:30 pm (EST) on CBS from October 2, 1959, to July 1, 1960. There are 36 episodes, including the pilot, " Where Is Everybody? " The theme music for this season, written by Bernard Herrmann , is different from the music most commonly associated with the series, written by Marius ...
"Where Is Everybody?" is the first episode of the American anthology television series The Twilight Zone and was originally broadcast on October 2, 1959, on CBS. It is one of the most realistic Twilight Zone episodes, as it features no supernatural elements and is based on fairly straightforward extrapolation of science.
Unlike season 1, episode titles were shown on screen during the end credits. Six consecutive episodes (production code #173-3662 through #173-3667) of this season were recorded on videotape (not on film as were all other episodes) at CBS Television City, as a cost-cutting measure mandated by CBS programming head James T. Aubrey.
Premiering on Oct. 11, 1963, "Nightmare" is the first episode many think of when The Twilight Zone theme starts playing. And to this day, Shatner still finds himself gremlin-spotting when he gets ...
Pages in category "The Twilight Zone (1959 TV series) season 1 episodes" The following 36 pages are in this category, out of 36 total.
One day, Bookman is visited by Mr. Death, who tells him that he is to die at midnight of natural causes. Unable to dissuade Death by convincing him he has great achievements in the works that must be completed, Bookman eventually convinces him to wait until he has made his greatest sales pitch: "one for the angels".
The episode starred Andrew McCarthy and Mariel Hemingway. This is one of several episodes from season one with its opening title sequence plastered over with the opening for season two. This was done during the summer of 1961, so that the repeats of season-one episodes would fit in with the new look the show had taken during the following season.
[1] Cinematographer Bradford May said director William Friedkin was the most challenging director he had ever worked with because he demanded utmost intensity from every shot. [1] Wanting more intensity from Scott Paulin, the actor who played Price, Friedkin put his face right up to Paulin's and shook him, to the shock of the cast and crew. [1]