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A rose by any other name would smell as sweet" is a popular adage from William Shakespeare's play Romeo and Juliet, in which Juliet seems to argue that it does not matter that Romeo is from her family's rival house of Montague. The reference is used to state that the names of things do not affect what they really are.
Simone de Beauvoir and Jean-Paul Sartre in Beijing, 1955. Jean-Paul Charles Aymard Sartre (/ ˈ s ɑːr t r ə /, US also / ˈ s ɑːr t /; [5] French:; 21 June 1905 – 15 April 1980) was a French philosopher, playwright, novelist, screenwriter, political activist, biographer, and literary critic, considered a leading figure in 20th-century French philosophy and Marxism.
The play ascribes different poetic forms to different characters, sometimes changing the form as the character develops. Romeo, for example, grows more adept at the sonnet over the course of the play. Romeo and Juliet has been adapted numerous times for stage, film, musical, and
Shakespeare uses a variety of poetic forms throughout the play. He begins with a 14-line prologue in the form of a Shakespearean sonnet, spoken by a Chorus.Most of Romeo and Juliet is, however, written in blank verse and much of it in strict iambic pentameter, with less rhythmic variation than in most of Shakespeare's later plays. [11]
Gary Cox (born 1964, England) [1] is a British philosopher and biographer and the author of several books on Jean-Paul Sartre, existentialism, general philosophy, ethics and philosophy of sport.
three times. This triple curse, directed at the Montague and Capulet houses, almost literally comes true. Due to an unfortunate coincidence – a plague quarantine imposed by the city guards – Friar John is unable to deliver a letter informing the exiled Romeo that Juliet is not dead but asleep. As a result, both Romeo and Juliet perish.
In Sartre's account, man is a creature haunted by a vision of "completion" (what Sartre calls the ens causa sui, meaning literally "a being that causes itself"), which many religions and philosophers identify as God. Born into the material reality of one's body, in a material universe, one finds oneself inserted into being.
In the wake of Being and Nothingness, Sartre became concerned with reconciling his concept of freedom with concrete social subjects and was strongly influenced in this regard by his friend and associate Maurice Merleau-Ponty, whose writings in the late 1940s and early 1950s, including Sense and Non-Sense, were pioneering a path towards a synthesis of existentialism and Marxism. [9]