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The solo artist (ekaharya) in Bharatanatyam is dressed in a colorful sari, adorned with jewelry and presents a dance and it is synchronized with Indian classical music. [67] The hand and facial gestures are a coded sign language able to recite legends and spiritual ideas from the Mahabharata , the Ramayana , the Puranas and historic drama texts.
A traditional Bharatanatyam dance performance follows a seven to eight-part order of presentation called margams. [37] The dancers are usually dressed in colorful silk saris with golden or silver zari embroidery on the borders, draped in a specific way and adorned with various jewelry. [32]
The family that the wearer chooses depends on the wearer's personal taste. The way an item of clothing is draped tells a lot about the wearer such as expression of creativity, progression of fashion, and where the user comes from. [27] Costume decorations; Perfumery; Jewelry making; Magic and illusions; Ointments for charm and virility; Manual ...
The dance movements are supposed to be performed with a larger amplitude on a wide scale of tempos, making it physically the most demanding style of Bharatanatyam. The application of loka dharmi and natya dharmi is different from other Bharatanatyam styles. The Melattur style dancers wear a special protective cotton belt around their waist.
The Pandanallur style is a style of Bharatanatyam Indian dance. It is mainly attributed to Dance Guru Meenakshi sundaram Pillai (1869–1964), a dance guru who lived in the village of Pandanallur , in the Thanjavur district in the south Indian state of Tamil Nadu .
Rukmini Devi Arundale (née Sastri; 29 February 1904 – 24 February 1986) [1] was an Indian theosophist, dancer and choreographer of the Indian classical dance form of Bharatanatyam, and an activist for animal welfare. She was the first woman in Indian history to be nominated as a member of the Rajya Sabha, the upper house of the Parliament of ...
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