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Originating in the Heian period as an undergarment for both men and women, the kosode was a plain white garment, typically made of silk, worn directly next to the skin.Both men and women wore layered, wrap-fronted, wide-sleeved robes on top of the kosode, with the style of layering worn by women of the Imperial Japanese court – known as the jūnihitoe, literally "twelve layers" – featuring ...
Photograph of a man and woman wearing traditional clothing, taken in Osaka, Japan. There are typically two types of clothing worn in Japan: traditional clothing known as Japanese clothing (和服, wafuku), including the national dress of Japan, the kimono, and Western clothing (洋服, yōfuku), which encompasses all else not recognised as either national dress or the dress of another country.
The kosode was worn in Japan as common, everyday dress from roughly the Kamakura period (1185–1333) until the latter years of the Edo period (1603–1867), at which a point its proportions had diverged to resemble those of modern-day kimono; it was also at this time that the term kimono, meaning "thing to wear on the shoulders", first came ...
These were worn by women of the merchant class, [12]: 46–51 who in later years dressed in kimono more subdued than those of the samurai, despite following the same colour trends and naturalistic designs; [12]: 54 with the introduction of dress edicts designed to oppress the merchant and socially-lower classes throughout the Edo period, an ...
A young woman modelling a jūnihitoe. The jūnihitoe (十二単, lit. ' twelve layers '), more formally known as the itsutsuginu-karaginu-mo (五衣唐衣裳), is a style of formal court dress first worn in the Heian period by noble women and ladies-in-waiting at the Japanese Imperial Court.
In the Meiji period (1868–1912) and Taishō period (1912–1926), Western-style wear was adopted for school uniforms, [10] initially for both male and female uniforms. [11] However, at the time, Western women's dress was fairly cumbersome.
In fact, in ukiyo-e bijin-ga, it was not considered important that the picture resemble the facial features of the model, and the depiction of women in ukiyo-e bijin-ga is stylized rather than an attempt to create a realistic image; [4] For example, throughout the Edo period (1603–1867), married women had a custom of shaving their eyebrows ...
Men's ryusou differ from women's ryusou in terms of colour, design, and material. [4] Men would secure their robes with a sash or girdle but women would hold theirs with a pin. [7] The ryusou for women is based on the bingata (紅型, lit. ' red patterns ') style of dyework. [4] Bingata could only be afforded by the people who had a rank and ...