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The term Poor Man's Bible has come into use in the modern era to describe works of art within churches and cathedrals which either individually or collectively have been created to illustrate the teachings of the Bible for a largely illiterate population. These artworks may take the form of carvings, paintings, mosaics or stained-glass windows.
Two of the more puzzling details of the painting are, one, the fact that the heads of Jesus and St. John seem to visually meld together in the upper left corner, and, two, the fact of the prominent presence, in the very centre of the canvas and in the foremost plane of the picture, of the arresting officer's highly polished, metal-clad arm.
In 1961 a visitor attacked the painting with a stone and tore the canvas with his hands. [8] It was restored over several months by conservators at Kelvingrove and returned to public display. [9] In 1993, the painting was moved to the city's St Mungo Museum of Religious Life and Art, returning to Kelvingrove for the latter's reopening in July 2006.
Virgin and Child. Wall painting from the early catacombs, Rome, 4th century. Early Christian art survives from dates near the origins of Christianity, although many early Christians associated figurative art with pagan religion, and were suspicious or hostile towards it. Over time, this lessened.
Painters of reality: The legacy of Leonardo and Caravaggio in Lombardy Archived 2013-05-13 at the Wayback Machine, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on this painting (see index) Media related to Supper at Emmaus by Caravaggio (London) at Wikimedia Commons
Christian art includes a great many representations of the Virgin Mary and the Christ Child. Such works are generally referred to as the " Madonna and Child " or "Virgin and Child". They are not usually representations of the Nativity specifically, but are often devotional objects representing a particular aspect or attribute of the Virgin Mary ...
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