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Once after the defeat of Jatukasura, two asuras named Mali and Sumali son of great asura warrior Sukesh were performing a great tapas to impress and seek blessings from Lord Shiva. The tapas they were performing was so intense that their body started glowing with the positive ions emitting from their bodies.
He further said that Brahmins, Lord Vishnu, Prajapati and other sages had achieved the great things they had desired by worshipping the Parthiva Shivalingas. Similarly Devatas, Asuras, Gandharvas and many men had achieved greatness by worshipping it. In Kali Yuga, the Parthiva Shivalinga is the most auspicious form of Lord Shiva to worship. [6]
Furthermore, it says "Shiva, the Supreme Lord, has no liūga", liuga (Sanskrit: लिऊग IAST: liūga) meaning Shiva is transcendent, beyond any characteristic and, specifically the sign of gender. [314] Apart from anthropomorphic images of Shiva, he is also represented in aniconic form of a lingam. [315] These are depicted in various designs.
According to Shiva Purana, Chandraghanta is the “Shakti” of Lord Shiva in the form of Chandrashekhara. Each aspect of Shiva is accompanied by Shakti, therefore are Ardhanarishvara. After a performing tapas for many years Parvati married Lord Shiva. A new life begins for every woman after marriage. When Parvati visited Shiva in his home.
Shiva absorbs Kamadeva into himself, making him one of his ganas (attendants). This act symbolizes Shiva's control over desire, yet acknowledges its persistence in a subtler, controlled form; [40] the Shiva Purana thus reinforces the idea that desire is an inherent part of the universe, but under the control of disciplined spiritual practice. [41]
The iconography of Lingodbhava represents Shiva emerging out of the pillar of light, with smaller images of Vishnu in the form of a boar in the bottom and Brahma in the form of a gander at the top. The icon depicts the legend of the origin of the linga , Shiva's aniconic representation, often featured in his worship.
Uma–Maheshvara, central India, probably late 1000s to 1100s AD, buff sandstone, Dallas Museum of Art. Uma–Maheshvara (Sanskrit: उमामहेश्वर, romanized: Umāmaheśvara) is a form of the divine couple, Shiva (Maheshvara) and Parvati (Uma), in Hindu iconography.
Bhikshatana (Sanskrit: भिक्षाटन; Bhikṣāṭana; literally, "wandering about for alms, mendicancy" [1]) or Bhikshatana-murti (Bhikṣāṭanamūrti) is an aspect of the Hindu god Shiva as the "Supreme mendicant" [2] or the "Supreme Beggar". [3]
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